'Be nice or leave!' - Why is rap so violent?

Why is rap so violent?

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book 'Be nice or leave!' - Why is rap so violent? by Emal Ghamsharick, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Emal Ghamsharick ISBN: 9783638002332
Publisher: GRIN Publishing Publication: February 13, 2008
Imprint: GRIN Publishing Language: English
Author: Emal Ghamsharick
ISBN: 9783638002332
Publisher: GRIN Publishing
Publication: February 13, 2008
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2007 in the subject American Studies - Culture and Applied Geography, grade: 1,3, Free University of Berlin (John-F.-Kennedy-Institut), 8 entries in the bibliography, language: English, abstract: This paper will focus on the depictions of and the reasons given for crime and violence in rap music. This seems to be relevant because a certain glorification of rap seems to endure in mainstream society, which also goes hand in hand with this music's belittlement. In the 1980s, few people would have thought that rap would be the major force it is today. The music is still, for the most part, rather simply crafted, not all lyrics are expressions of streetwise genius but maybe that is its strength: reducing everything to the minimum, cleansing the music from all unnecessary components. This minimalism is also visible in its content. The depicted experiences are mostly on a very basic existential level, crime and violence abound. Real life conflicts are not only reflected in the music, they are sometimes even initiated by words spoken on a record.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2007 in the subject American Studies - Culture and Applied Geography, grade: 1,3, Free University of Berlin (John-F.-Kennedy-Institut), 8 entries in the bibliography, language: English, abstract: This paper will focus on the depictions of and the reasons given for crime and violence in rap music. This seems to be relevant because a certain glorification of rap seems to endure in mainstream society, which also goes hand in hand with this music's belittlement. In the 1980s, few people would have thought that rap would be the major force it is today. The music is still, for the most part, rather simply crafted, not all lyrics are expressions of streetwise genius but maybe that is its strength: reducing everything to the minimum, cleansing the music from all unnecessary components. This minimalism is also visible in its content. The depicted experiences are mostly on a very basic existential level, crime and violence abound. Real life conflicts are not only reflected in the music, they are sometimes even initiated by words spoken on a record.

More books from GRIN Publishing

Cover of the book Jane Austen's Pride and Prejudice - An Analysis by Emal Ghamsharick
Cover of the book Country Report Switzerland by Emal Ghamsharick
Cover of the book Speech-accompanying gestures and their impact on speech production and communication by Emal Ghamsharick
Cover of the book Why it's OK to Laugh at the Parody in Family Guy by Emal Ghamsharick
Cover of the book Una pequeña teoría de la irracionalidad by Emal Ghamsharick
Cover of the book The oversight of the audit profession by Emal Ghamsharick
Cover of the book Damenstift Essen - Lebensalltag der Stiftsdamen by Emal Ghamsharick
Cover of the book Le Canada de Stephen Harper et les processus d'intégration en Amérique du Nord by Emal Ghamsharick
Cover of the book The role of different corporate culters in case of a merger by Emal Ghamsharick
Cover of the book Unemployment in Ireland in the 80's - Reasons and consequences by Emal Ghamsharick
Cover of the book Christian discipleship vs. Hitler's dictatorship. Commemorating Dietrich Bonhoeffer, man of God under the Third Reich by Emal Ghamsharick
Cover of the book The development of services in transition economies by Emal Ghamsharick
Cover of the book Ideas for Teaching Canada in the EFL Classroom by Emal Ghamsharick
Cover of the book The notion of identity in Mary Antin's 'The Promised Land' by Emal Ghamsharick
Cover of the book To what extent is Henrik Ibsen's 'A Doll's House' a feminist play? by Emal Ghamsharick
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy