'The spectator and not the actor is the central focus of Brecht's stagecraft'

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book 'The spectator and not the actor is the central focus of Brecht's stagecraft' by Reni Ernst, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Reni Ernst ISBN: 9783638883955
Publisher: GRIN Publishing Publication: January 3, 2008
Imprint: GRIN Publishing Language: English
Author: Reni Ernst
ISBN: 9783638883955
Publisher: GRIN Publishing
Publication: January 3, 2008
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,0, University College Dublin (Faculty of Arts; School of English and Drama), course: Brecht and Political Theatre, 9 entries in the bibliography, language: English, abstract: The most important principle of Brecht's epic theatre is its aim of representing conditions rather than developing actions. This theatre is designed to show attitudes in the sense of relationships between people, their connections to the environment and their roles in politics and society. Thus the human being is the focus, the object of inquiry of Brecht's plays, but not as an individual but as a social being which is shaped and changed through interactions with society through life. Furthermore each scene has its own value and is in itself determined through beginning and end. Therefore it is possible to connect only the most important scenes, one after another, whereas in a completed action, such as the case in dramatic theatre defined by Aristotle, one scene results out of another. In Brecht's plays the focus lies on the process of the story, on the how and why, rather than on the product and the ending, on the what. Combining these two main principles of Brechtian theatre, the human being and the process, the overall aim is to study the human being in the process of society, raising the question if changes can be made in order to alter present conditions. In order to achieve changes in society the spectators have to be made aware of situations that need to be changed. Brecht attains this purpose by evoking the spectator's astonishment with the support of the basic concepts of epic theatre, Verfremdung and Gestus and Haltung. Accordingly there has to be closer look taken at the way in which these two elements have an impact on the spectator's attitude towards society and how they are used on stage in order to make the audience act itself.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,0, University College Dublin (Faculty of Arts; School of English and Drama), course: Brecht and Political Theatre, 9 entries in the bibliography, language: English, abstract: The most important principle of Brecht's epic theatre is its aim of representing conditions rather than developing actions. This theatre is designed to show attitudes in the sense of relationships between people, their connections to the environment and their roles in politics and society. Thus the human being is the focus, the object of inquiry of Brecht's plays, but not as an individual but as a social being which is shaped and changed through interactions with society through life. Furthermore each scene has its own value and is in itself determined through beginning and end. Therefore it is possible to connect only the most important scenes, one after another, whereas in a completed action, such as the case in dramatic theatre defined by Aristotle, one scene results out of another. In Brecht's plays the focus lies on the process of the story, on the how and why, rather than on the product and the ending, on the what. Combining these two main principles of Brechtian theatre, the human being and the process, the overall aim is to study the human being in the process of society, raising the question if changes can be made in order to alter present conditions. In order to achieve changes in society the spectators have to be made aware of situations that need to be changed. Brecht attains this purpose by evoking the spectator's astonishment with the support of the basic concepts of epic theatre, Verfremdung and Gestus and Haltung. Accordingly there has to be closer look taken at the way in which these two elements have an impact on the spectator's attitude towards society and how they are used on stage in order to make the audience act itself.

More books from GRIN Publishing

Cover of the book Credit Default Swaps and their Role in the Financial Crisis by Reni Ernst
Cover of the book National Competitive advantage of Switzerland by Reni Ernst
Cover of the book Meditation As Mediation Through The Culture Of Truth by Reni Ernst
Cover of the book Detected fallacies in President George W. Bush`s speech by Reni Ernst
Cover of the book Dylan Thomas: Especially When the October Wind by Reni Ernst
Cover of the book Theology of TV by Reni Ernst
Cover of the book The Great Gatsby - an Overview by Reni Ernst
Cover of the book 'Identity Culture' and 'Cultural Identity' in a Postmodern World by Reni Ernst
Cover of the book Fossil fuels in international energy policy: China's oil diplomacy in sub-Saharan Africa by Reni Ernst
Cover of the book Marketing Plan for the launch of traveladviser.net by Reni Ernst
Cover of the book Poland's Phyrric victory over bribery and collusion on its way to the European Union by Reni Ernst
Cover of the book Human Resource Management, ideology and gender by Reni Ernst
Cover of the book 'When shall we be married?' Widower's Houses im Gattungskontext der Liebeskomödie by Reni Ernst
Cover of the book COIN & Culture: Cross-Cultural Skills for Mission Effectiveness and Excellence by Reni Ernst
Cover of the book The War Scare 1926-27 by Reni Ernst
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy