A 'Toxic Genre'

The Iraq War Films

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book A 'Toxic Genre' by Martin Barker, Pluto Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Martin Barker ISBN: 9781783714483
Publisher: Pluto Press Publication: June 3, 2011
Imprint: Pluto Press Language: English
Author: Martin Barker
ISBN: 9781783714483
Publisher: Pluto Press
Publication: June 3, 2011
Imprint: Pluto Press
Language: English

Over the last five years, a cycle of films has emerged addressing the ongoing Iraq conflict. Some became well-known and one of them, The Hurt Locker, won a string of Oscars. But many others disappeared into obscurity. What is it about these films that led Variety to dub them a 'toxic genre'?*BR**BR*Martin Barker analyses the production and reception of these recent Iraq war films. Among the issues he examines are the borrowing of soldiers' YouTube styles of self-representation to generate an 'authentic' Iraq experience, and how they take refuge in 'apolitical' post-traumatic stress disorder. Barker also looks afresh at some classic issues in film theory: the problems of accounting for film 'failures', the shaping role of production systems, the significance of genre-naming and the impact of that 'toxic' label.*BR**BR*A 'Toxic Genre' is fascinating reading for film studies students and anyone interested in cinema's portrayal of modern warfare.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Over the last five years, a cycle of films has emerged addressing the ongoing Iraq conflict. Some became well-known and one of them, The Hurt Locker, won a string of Oscars. But many others disappeared into obscurity. What is it about these films that led Variety to dub them a 'toxic genre'?*BR**BR*Martin Barker analyses the production and reception of these recent Iraq war films. Among the issues he examines are the borrowing of soldiers' YouTube styles of self-representation to generate an 'authentic' Iraq experience, and how they take refuge in 'apolitical' post-traumatic stress disorder. Barker also looks afresh at some classic issues in film theory: the problems of accounting for film 'failures', the shaping role of production systems, the significance of genre-naming and the impact of that 'toxic' label.*BR**BR*A 'Toxic Genre' is fascinating reading for film studies students and anyone interested in cinema's portrayal of modern warfare.

More books from Pluto Press

Cover of the book The Political Economy of Development by Martin Barker
Cover of the book Checkpoint, Temple, Church and Mosque by Martin Barker
Cover of the book Military Inc. by Martin Barker
Cover of the book A History of Modern Lebanon by Martin Barker
Cover of the book Monitored by Martin Barker
Cover of the book Community, Cosmopolitanism and the Problem of Human Commonality by Martin Barker
Cover of the book How to Look Good in a War by Martin Barker
Cover of the book Solidarity without Borders by Martin Barker
Cover of the book Sound System by Martin Barker
Cover of the book Hannah Arendt by Martin Barker
Cover of the book Revolution in Rojava by Martin Barker
Cover of the book Beyond Criminology by Martin Barker
Cover of the book Al-Qaeda and Sacrifice by Martin Barker
Cover of the book Moving Against the System by Martin Barker
Cover of the book Negotiating Local Knowledge by Martin Barker
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy