Author: | Bradley Marion | ISBN: | 9781486420827 |
Publisher: | Emereo Publishing | Publication: | October 24, 2012 |
Imprint: | Emereo Publishing | Language: | English |
Author: | Bradley Marion |
ISBN: | 9781486420827 |
Publisher: | Emereo Publishing |
Publication: | October 24, 2012 |
Imprint: | Emereo Publishing |
Language: | English |
This is a new and freshly published edition of this culturally important work by Marion Zimmer Bradley, which is now, at last, again available to you.
Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside A complete cumulative Checklist of lesbian variant and homosexual fiction:
An effort has been made in each case to distinguish whether the work under discussion is a novel about lesbianism, whether the variant content has been included mostly for shock effect, or whether (as in some excellent modern novels) homosexual characters appear incidentally to the other main themes of action in the book.
...Garde has indexed virtually every homosexual work from antiquity to the latest paperback shocker, and has also performed the mighty task of separating them into categories
... a task from which the Checklist editors have shrunk, though we have made some attempt at classification in our reviews and by awarding a plus sign to books of exceptional value.
...If the treatment is honest, the characters even remotely believable and the purpose of the book seems reasonably genuine, then the quantity of sex is purely a matter for the author's discretion; and be it much, as in the works of March Hastings, Artemis Smith or Henry Miller, or little, as in Iris Murdoch's delicate and subtle THE BELL, or Shirley Jackson's THE HAUNTING OF HILL HOUSE,-- we give the book judgment only on its merits as a book.
...But if the story is just a peg on which to hang up a lot of poorly written, gamy erotic episodes, with no literary value, and just evasive enough to keep the printer out of jail, then we have given it short shrift with the abbreviation "scv"-which cryptic letters are editorial shorthand for "Short Course in Voyeurism"-and have been the basis of a lot of jokes in the tedious business of passing reviews around the editorial staff (The junior and senior editors live a thousand miles apart and have never met; the others who occasionally contribute reviews are scattered from Alabama to Oregon.).
...We wish here to give some slight acknowledgment to all those who, over the years since the initiation of this endeavor, have contributed overlooked titles, pointed out our errors, sent comments, criticisms and sometimes cash, laboriously tracked down elusive data, worked as unpaid researchers and stencil-cutters, and in general helped us to feel we were not working in a vacuum.
This is a new and freshly published edition of this culturally important work by Marion Zimmer Bradley, which is now, at last, again available to you.
Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside A complete cumulative Checklist of lesbian variant and homosexual fiction:
An effort has been made in each case to distinguish whether the work under discussion is a novel about lesbianism, whether the variant content has been included mostly for shock effect, or whether (as in some excellent modern novels) homosexual characters appear incidentally to the other main themes of action in the book.
...Garde has indexed virtually every homosexual work from antiquity to the latest paperback shocker, and has also performed the mighty task of separating them into categories
... a task from which the Checklist editors have shrunk, though we have made some attempt at classification in our reviews and by awarding a plus sign to books of exceptional value.
...If the treatment is honest, the characters even remotely believable and the purpose of the book seems reasonably genuine, then the quantity of sex is purely a matter for the author's discretion; and be it much, as in the works of March Hastings, Artemis Smith or Henry Miller, or little, as in Iris Murdoch's delicate and subtle THE BELL, or Shirley Jackson's THE HAUNTING OF HILL HOUSE,-- we give the book judgment only on its merits as a book.
...But if the story is just a peg on which to hang up a lot of poorly written, gamy erotic episodes, with no literary value, and just evasive enough to keep the printer out of jail, then we have given it short shrift with the abbreviation "scv"-which cryptic letters are editorial shorthand for "Short Course in Voyeurism"-and have been the basis of a lot of jokes in the tedious business of passing reviews around the editorial staff (The junior and senior editors live a thousand miles apart and have never met; the others who occasionally contribute reviews are scattered from Alabama to Oregon.).
...We wish here to give some slight acknowledgment to all those who, over the years since the initiation of this endeavor, have contributed overlooked titles, pointed out our errors, sent comments, criticisms and sometimes cash, laboriously tracked down elusive data, worked as unpaid researchers and stencil-cutters, and in general helped us to feel we were not working in a vacuum.