A Date Which Will Live

Pearl Harbor in American Memory

Nonfiction, History, Military, World War II, Americas, United States, 20th Century
Cover of the book A Date Which Will Live by Emily S. Rosenberg, Gilbert M. Joseph, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Emily S. Rosenberg, Gilbert M. Joseph ISBN: 9780822387459
Publisher: Duke University Press Publication: August 25, 2003
Imprint: Duke University Press Books Language: English
Author: Emily S. Rosenberg, Gilbert M. Joseph
ISBN: 9780822387459
Publisher: Duke University Press
Publication: August 25, 2003
Imprint: Duke University Press Books
Language: English

December 7, 1941—the date of Japan’s surprise attack on the U.S. fleet at Pearl Harbor—is "a date which will live" in American history and memory, but the stories that will live and the meanings attributed to them are hardly settled. In movies, books, and magazines, at memorial sites and public ceremonies, and on television and the internet, Pearl Harbor lives in a thousand guises and symbolizes dozens of different historical lessons. In A Date Which Will Live, historian Emily S. Rosenberg examines the contested meanings of Pearl Harbor in American culture.
Rosenberg considers the emergence of Pearl Harbor’s symbolic role within multiple contexts: as a day of infamy that highlighted the need for future U.S. military preparedness, as an attack that opened a "back door" to U.S. involvement in World War II, as an event of national commemoration, and as a central metaphor in American-Japanese relations. She explores the cultural background that contributed to Pearl Harbor’s resurgence in American memory after the fiftieth anniversary of the attack in 1991. In doing so, she discusses the recent “memory boom” in American culture; the movement to exonerate the military commanders at Pearl Harbor, Admiral Husband Kimmel and General Walter Short; the political mobilization of various groups during the culture and history "wars" of the 1990s, and the spectacle surrounding the movie Pearl Harbor. Rosenberg concludes with a look at the uses of Pearl Harbor as a historical frame for understanding the events of September 11, 2001.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

December 7, 1941—the date of Japan’s surprise attack on the U.S. fleet at Pearl Harbor—is "a date which will live" in American history and memory, but the stories that will live and the meanings attributed to them are hardly settled. In movies, books, and magazines, at memorial sites and public ceremonies, and on television and the internet, Pearl Harbor lives in a thousand guises and symbolizes dozens of different historical lessons. In A Date Which Will Live, historian Emily S. Rosenberg examines the contested meanings of Pearl Harbor in American culture.
Rosenberg considers the emergence of Pearl Harbor’s symbolic role within multiple contexts: as a day of infamy that highlighted the need for future U.S. military preparedness, as an attack that opened a "back door" to U.S. involvement in World War II, as an event of national commemoration, and as a central metaphor in American-Japanese relations. She explores the cultural background that contributed to Pearl Harbor’s resurgence in American memory after the fiftieth anniversary of the attack in 1991. In doing so, she discusses the recent “memory boom” in American culture; the movement to exonerate the military commanders at Pearl Harbor, Admiral Husband Kimmel and General Walter Short; the political mobilization of various groups during the culture and history "wars" of the 1990s, and the spectacle surrounding the movie Pearl Harbor. Rosenberg concludes with a look at the uses of Pearl Harbor as a historical frame for understanding the events of September 11, 2001.

More books from Duke University Press

Cover of the book Manufacturing Confucianism by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book Minority Rules by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book Countermodernism and Francophone Literary Culture by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book Whose Art Is It? by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book Subverting Colonial Authority by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book False Promises by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book Tendencies by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book Imagining Interest in Political Thought by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book The Mirage of a Space between Nature and Nurture by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book The Unpredictability of the Past by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book Dolly Mixtures by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book Street Corner Secrets by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book Colored Amazons by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book The Blood of Guatemala by Emily S. Rosenberg, Gilbert M. Joseph
Cover of the book Intimate Activism by Emily S. Rosenberg, Gilbert M. Joseph
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy