A Popular History of France From The Earliest Times (Complet)
Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
| Author: | Francois Pierre Guillaume Guizot | ISBN: | 9781465556769 |
| Publisher: | Library of Alexandria | Publication: | March 8, 2015 |
| Imprint: | Language: | English |
| Author: | Francois Pierre Guillaume Guizot |
| ISBN: | 9781465556769 |
| Publisher: | Library of Alexandria |
| Publication: | March 8, 2015 |
| Imprint: | |
| Language: | English |
EXTRACT FROM LETTER TO THE PUBLISHERS. Every history, and especially that of France, is one vast, long drama, in which events are linked together according to defined laws, and in which the actors play parts not ready made and learned by heart, parts depending, in fact, not only upon the accidents of their birth, but also upon their own ideas and their own will. There are, in the history of peoples, two sets of causes essentially different, and, at the same time, closely connected; the natural causes which are set over the general course of events, and the unrestricted causes which are incidental. Men do not make the whole of history it has laws of higher origin; but, in history, men are unrestricted agents who produce for it results and exercise over it an influence for which they are responsible. The fated causes and the unrestricted causes, the defined laws of events and the spontaneous actions of man's free agency—herein is the whole of history. And in the faithful reproduction of these two elements consist the truth and the moral of stories from it. Never was I more struck with this two-fold character of history than in my tales to my grandchildren. When I commenced with them, they, beforehand, evinced a lively interest, and they began to listen to me with serious good will; but when they did not well apprehend the lengthening chain of events, or when historical personages did not become, in their eyes, creatures real and free, worthy of sympathy or reprobation, when the drama was not developed before them with clearness and animation, I saw their attention grow fitful and flagging; they required light and life together; they wished to be illumined and excited, instructed and amused. At the same time that the difficulty of satisfying this two-fold desire was painfully felt by me, I discovered therein more means and chances than I had at first foreseen of succeeding in making my young audience comprehend the history of France in its complication and its grandeur. When Corneille observed,— "In the well-born soul Valor ne'er lingers till due seasons roll
EXTRACT FROM LETTER TO THE PUBLISHERS. Every history, and especially that of France, is one vast, long drama, in which events are linked together according to defined laws, and in which the actors play parts not ready made and learned by heart, parts depending, in fact, not only upon the accidents of their birth, but also upon their own ideas and their own will. There are, in the history of peoples, two sets of causes essentially different, and, at the same time, closely connected; the natural causes which are set over the general course of events, and the unrestricted causes which are incidental. Men do not make the whole of history it has laws of higher origin; but, in history, men are unrestricted agents who produce for it results and exercise over it an influence for which they are responsible. The fated causes and the unrestricted causes, the defined laws of events and the spontaneous actions of man's free agency—herein is the whole of history. And in the faithful reproduction of these two elements consist the truth and the moral of stories from it. Never was I more struck with this two-fold character of history than in my tales to my grandchildren. When I commenced with them, they, beforehand, evinced a lively interest, and they began to listen to me with serious good will; but when they did not well apprehend the lengthening chain of events, or when historical personages did not become, in their eyes, creatures real and free, worthy of sympathy or reprobation, when the drama was not developed before them with clearness and animation, I saw their attention grow fitful and flagging; they required light and life together; they wished to be illumined and excited, instructed and amused. At the same time that the difficulty of satisfying this two-fold desire was painfully felt by me, I discovered therein more means and chances than I had at first foreseen of succeeding in making my young audience comprehend the history of France in its complication and its grandeur. When Corneille observed,— "In the well-born soul Valor ne'er lingers till due seasons roll
