A Richard Selzer Reader

Blood and Ink

Nonfiction, Health & Well Being, Medical, Reference, Essays, Fiction & Literature, Literary Theory & Criticism, American
Cover of the book A Richard Selzer Reader by , University of Delaware Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781611496437
Publisher: University of Delaware Press Publication: July 31, 2017
Imprint: University of Delaware Press Language: English
Author:
ISBN: 9781611496437
Publisher: University of Delaware Press
Publication: July 31, 2017
Imprint: University of Delaware Press
Language: English

A Richard Selzer Reader: Blood and Ink is a career-spanning collection, including major short stories and essays by the renowned doctor-author. In the 1960s, while practicing as a general surgeon and teaching surgery at the Yale School of Medicine, Richard Selzer began publishing unique creative work in magazines such as Harper’s and Esquire. By 1985, when he retired as a physician to devote himself completely to writing, Selzer was already recognized as a pioneer in the field of medical humanities. When he died in 2016, as the author of 13 books, his influence was acknowledged by a younger generation of doctor-writers like Abraham Verghese and Atul Gawande.
Selzer’s unusual style fuses scientific and poetic language. Drawing on favorite readings, from the King James Bible to the tales of Edgar Allen Poe, he used this style to convey a sense of awe at the beauty and complexity of the human body, even in the midst of suffering. While describing himself as an atheist, Selzer always searched for “sacramental” moments of courtesy, courage, and grace in medical encounters. Because he often looked critically at the failure of doctors to regard the full humanity of their patients, Selzer’s work has become required reading in many medical training programs.
A Richard Selzer Reader includesseveral of the author’s most famous essays and stories, as well as two dozen selections that have not been collected in his previous books. Chronologically, the material ranges from apprenticeship stories (as far back as a high-school composition) to two odd self-portraits that remained unpublished at the time of Selzer’s death.Topically, the material ranges from meditations on the body, and on human mortality, to reflections on both medicine and writing as serious vocations. Along the way, Selzer celebrates the work of other doctor-writers, like Thomas Browne and Anton Chekhov, and in a series of previously unpublished diary entries he discusses the joys of nature, art, and family as bulwarks against the difficulties of growing old.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A Richard Selzer Reader: Blood and Ink is a career-spanning collection, including major short stories and essays by the renowned doctor-author. In the 1960s, while practicing as a general surgeon and teaching surgery at the Yale School of Medicine, Richard Selzer began publishing unique creative work in magazines such as Harper’s and Esquire. By 1985, when he retired as a physician to devote himself completely to writing, Selzer was already recognized as a pioneer in the field of medical humanities. When he died in 2016, as the author of 13 books, his influence was acknowledged by a younger generation of doctor-writers like Abraham Verghese and Atul Gawande.
Selzer’s unusual style fuses scientific and poetic language. Drawing on favorite readings, from the King James Bible to the tales of Edgar Allen Poe, he used this style to convey a sense of awe at the beauty and complexity of the human body, even in the midst of suffering. While describing himself as an atheist, Selzer always searched for “sacramental” moments of courtesy, courage, and grace in medical encounters. Because he often looked critically at the failure of doctors to regard the full humanity of their patients, Selzer’s work has become required reading in many medical training programs.
A Richard Selzer Reader includesseveral of the author’s most famous essays and stories, as well as two dozen selections that have not been collected in his previous books. Chronologically, the material ranges from apprenticeship stories (as far back as a high-school composition) to two odd self-portraits that remained unpublished at the time of Selzer’s death.Topically, the material ranges from meditations on the body, and on human mortality, to reflections on both medicine and writing as serious vocations. Along the way, Selzer celebrates the work of other doctor-writers, like Thomas Browne and Anton Chekhov, and in a series of previously unpublished diary entries he discusses the joys of nature, art, and family as bulwarks against the difficulties of growing old.

More books from University of Delaware Press

Cover of the book The Royal Financial Administration and the Prosecution of Crime in France, 1670–1789 by
Cover of the book Representation, Heterodoxy, and Aesthetics by
Cover of the book Resentment and the Right by
Cover of the book Transformations, Ideology, and the Real in Defoe’s Robinson Crusoe and Other Narratives by
Cover of the book Of Memory and Literary Form by
Cover of the book The Letters of Ruth Pitter by
Cover of the book Fiction of the New Statesman, 1913-1939 by
Cover of the book Biblical References in Shakespeare's Plays by
Cover of the book Victorian Yankees at Queen Victoria's Court by
Cover of the book Swiftly Sterneward by
Cover of the book French Renaissance and Baroque Drama by
Cover of the book Patrons of Enlightenment by
Cover of the book Dr. John Moore, 1729–1802 by
Cover of the book Doctors of Another Calling by
Cover of the book Edgar Allan Poe by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy