Aboriginal Art and Australian Society

Hope and Disenchantment

Nonfiction, Art & Architecture, General Art, Art History
Cover of the book Aboriginal Art and Australian Society by Laura Fisher, Anthem Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Laura Fisher ISBN: 9781783085330
Publisher: Anthem Press Publication: May 30, 2016
Imprint: Anthem Press Language: English
Author: Laura Fisher
ISBN: 9781783085330
Publisher: Anthem Press
Publication: May 30, 2016
Imprint: Anthem Press
Language: English

This book is an investigation of the way the Aboriginal art phenomenon has been entangled with Australian society’s negotiation of Indigenous people’s status within the nation. Through critical reflection on Aboriginal art’s idiosyncrasies as a fine arts movement, its vexed relationship with money, and its mediation of the politics of identity and recognition, this study illuminates the mutability of Aboriginal art’s meanings in different settings. It reveals that this mutability is a consequence of the fact that a range of governmental, activist and civil society projects have appropriated the art’s vitality and metonymic power in national public culture, and that Aboriginal art is as much a phenomenon of visual and commercial culture as it is an art movement. Throughout these examinations, Fisher traces the utopian and dystopian currents of thought that have crystallised around the Aboriginal art movement and which manifest the ethical conundrums that underpin the settler state condition.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book is an investigation of the way the Aboriginal art phenomenon has been entangled with Australian society’s negotiation of Indigenous people’s status within the nation. Through critical reflection on Aboriginal art’s idiosyncrasies as a fine arts movement, its vexed relationship with money, and its mediation of the politics of identity and recognition, this study illuminates the mutability of Aboriginal art’s meanings in different settings. It reveals that this mutability is a consequence of the fact that a range of governmental, activist and civil society projects have appropriated the art’s vitality and metonymic power in national public culture, and that Aboriginal art is as much a phenomenon of visual and commercial culture as it is an art movement. Throughout these examinations, Fisher traces the utopian and dystopian currents of thought that have crystallised around the Aboriginal art movement and which manifest the ethical conundrums that underpin the settler state condition.

More books from Anthem Press

Cover of the book British Women Missionaries in Bengal, 17931861 by Laura Fisher
Cover of the book Keywords for Travel Writing Studies by Laura Fisher
Cover of the book Economics of the 1% by Laura Fisher
Cover of the book Holland House and Portugal, 17931840 by Laura Fisher
Cover of the book Old, Bold and Won’t Be Told by Laura Fisher
Cover of the book Blood, Love and Steel by Laura Fisher
Cover of the book Martin Luther and the German Reformation by Laura Fisher
Cover of the book Stephen Wall, Trollope and Character and Other Essays on Victorian Literature by Laura Fisher
Cover of the book Eisenhower and the Art of Collaborative Leadership by Laura Fisher
Cover of the book The Poverty of Television by Laura Fisher
Cover of the book Migrant Nation by Laura Fisher
Cover of the book Saffron Yellow by Laura Fisher
Cover of the book The Creation of Modern China, 18942008 by Laura Fisher
Cover of the book Blood on the Stone by Laura Fisher
Cover of the book The Old People by Laura Fisher
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy