Adjusting the Lens

Community and Collaborative Video in Mexico

Nonfiction, Entertainment, Film, History & Criticism, Social & Cultural Studies, Social Science, Cultural Studies, Ethnic Studies
Cover of the book Adjusting the Lens by , University of Pittsburgh Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780822982425
Publisher: University of Pittsburgh Press Publication: September 8, 2017
Imprint: University of Pittsburgh Press Language: English
Author:
ISBN: 9780822982425
Publisher: University of Pittsburgh Press
Publication: September 8, 2017
Imprint: University of Pittsburgh Press
Language: English

Adjusting the Lens offers a detailed analysis of contemporary, independent, indigenous-language audiovisual production in Mexico and in Mexican migrant communities in the United States. The contributors relate the styles and forms of collaborative and community media production to socially critical, transformative, resistant, and constitutive processes off-screen, thereby exploring the political within the context of the media. The chapters show how diasporic media makers map novel interpretations of image and sound into existing audiovisual discourses to communicate social and cultural changes within their communities that counter stereotypical representations in commercial television and cinema, and contribute to a newfound communal identity. The new media expose the conflict of social movements and/or indigenous and rural communities with the state, challenge Eurocentrism and globalization, and reveal the power of audiovisual production to affect political change.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Adjusting the Lens offers a detailed analysis of contemporary, independent, indigenous-language audiovisual production in Mexico and in Mexican migrant communities in the United States. The contributors relate the styles and forms of collaborative and community media production to socially critical, transformative, resistant, and constitutive processes off-screen, thereby exploring the political within the context of the media. The chapters show how diasporic media makers map novel interpretations of image and sound into existing audiovisual discourses to communicate social and cultural changes within their communities that counter stereotypical representations in commercial television and cinema, and contribute to a newfound communal identity. The new media expose the conflict of social movements and/or indigenous and rural communities with the state, challenge Eurocentrism and globalization, and reveal the power of audiovisual production to affect political change.

More books from University of Pittsburgh Press

Cover of the book She Didn't Mean To Do It by
Cover of the book Science, Policy, and the Value-Free Ideal by
Cover of the book In Praise of Falling by
Cover of the book The Hernandez Brothers by
Cover of the book Colonialism and Modern Architecture in Germany by
Cover of the book Land of Sunshine by
Cover of the book On the Street of Divine Love by
Cover of the book Noose and Hook by
Cover of the book Astronomy in India, 1784-1876 by
Cover of the book Burn and Dodge by
Cover of the book South Asian in the Mid-South by
Cover of the book Blue on Blue Ground by
Cover of the book All American Girl by
Cover of the book Nude Descending an Empire by
Cover of the book Thunder In the Mountains by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy