African Diaspora in the Cultures of Latin America, the Caribbean, and the United States

Nonfiction, History, Americas, Caribbean & West Indies, Africa, Social & Cultural Studies, Social Science
Cover of the book African Diaspora in the Cultures of Latin America, the Caribbean, and the United States by Paulina Alberto, Eddie Chambers, Monica Dominguez Torres, Colette Gaiter, Carla Guerron Montero, Carol E. Henderson, Camara Holloway, Wayne G. Marshall, Julie L. McGee, Robin D. Moore, Ifeoma Nwankwo, Phillip Penix-Tadsen, Lorrin Thomas, University of Delaware Press
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Author: Paulina Alberto, Eddie Chambers, Monica Dominguez Torres, Colette Gaiter, Carla Guerron Montero, Carol E. Henderson, Camara Holloway, Wayne G. Marshall, Julie L. McGee, Robin D. Moore, Ifeoma Nwankwo, Phillip Penix-Tadsen, Lorrin Thomas ISBN: 9781611495386
Publisher: University of Delaware Press Publication: December 5, 2014
Imprint: University of Delaware Press Language: English
Author: Paulina Alberto, Eddie Chambers, Monica Dominguez Torres, Colette Gaiter, Carla Guerron Montero, Carol E. Henderson, Camara Holloway, Wayne G. Marshall, Julie L. McGee, Robin D. Moore, Ifeoma Nwankwo, Phillip Penix-Tadsen, Lorrin Thomas
ISBN: 9781611495386
Publisher: University of Delaware Press
Publication: December 5, 2014
Imprint: University of Delaware Press
Language: English

The African Americas insists on the transcendent interconnectedness of histories, stories, and cultural and disciplinary expression, and the centrality of the Middle Passage in connecting Harlem and Brooklyn to Havana, Kingston, and Rio de Janeiro. The collection's framework urges the reader to consider the Americas as a locus of predominantly African encounters that contain and regulate “white” history, art, and cultural activity.

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The African Americas insists on the transcendent interconnectedness of histories, stories, and cultural and disciplinary expression, and the centrality of the Middle Passage in connecting Harlem and Brooklyn to Havana, Kingston, and Rio de Janeiro. The collection's framework urges the reader to consider the Americas as a locus of predominantly African encounters that contain and regulate “white” history, art, and cultural activity.

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