All about Almodóvar

A Passion for Cinema

Nonfiction, Entertainment, Film, Direction & Production, Performing Arts
Cover of the book All about Almodóvar by , University of Minnesota Press
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Author: ISBN: 9781452914398
Publisher: University of Minnesota Press Publication: May 21, 2009
Imprint: Univ Of Minnesota Press Language: English
Author:
ISBN: 9781452914398
Publisher: University of Minnesota Press
Publication: May 21, 2009
Imprint: Univ Of Minnesota Press
Language: English
 One of world cinema’s most exciting filmmakers, Pedro Almodóvar has been delighting, provoking, arousing, shocking, and—above all—entertaining audiences around the globe since he first burst on the international film scene in the early 1980s. 

All about Almodóvar
 offers new perspectives on the filmmaker’s artistic vision and cinematic preoccupations, influences, and techniques. Through overviews of his oeuvre and in-depth analyses of specific films, the essays here explore a diverse range of subjects: Almodóvar’s nuanced use of television and music in his films; his reworkings of traditional film genres such as comedy, horror, and film noir; his penchant for melodrama and its relationship to melancholy, violence, and coincidence; his intricate questioning of sexual and national identities; and his increasingly sophisticated inquiries into visuality and its limits.  

Closing with Almodóvar’s own diary account of the making of Volver and featuring never-before-seen photographs from El Deseo production studio, All about Almodóvar both reflects and illuminates its subject’s dazzling eclecticism.
 One of world cinema’s most exciting filmmakers, Pedro Almodóvar has been delighting, provoking, arousing, shocking, and—above all—entertaining audiences around the globe since he first burst on the international film scene in the early 1980s. 

All about Almodóvar
 offers new perspectives on the filmmaker’s artistic vision and cinematic preoccupations, influences, and techniques. Through overviews of his oeuvre and in-depth analyses of specific films, the essays here explore a diverse range of subjects: Almodóvar’s nuanced use of television and music in his films; his reworkings of traditional film genres such as comedy, horror, and film noir; his penchant for melodrama and its relationship to melancholy, violence, and coincidence; his intricate questioning of sexual and national identities; and his increasingly sophisticated inquiries into visuality and its limits.  

Closing with Almodóvar’s own diary account of the making of Volver and featuring never-before-seen photographs from El Deseo production studio, All about Almodóvar both reflects and illuminates its subject’s dazzling eclecticism.

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