All by Myself
Essays on the Single-Artist Rock Album
Nonfiction, Entertainment, Music, Business & Technical, Recording & Reproduction, Pop & Rock, Rock
| Author: | ISBN: | 9781442247246 | |
| Publisher: | Rowman & Littlefield Publishers | Publication: | May 19, 2016 |
| Imprint: | Rowman & Littlefield Publishers | Language: | English |
| Author: | |
| ISBN: | 9781442247246 |
| Publisher: | Rowman & Littlefield Publishers |
| Publication: | May 19, 2016 |
| Imprint: | Rowman & Littlefield Publishers |
| Language: | English |
Thriving within a narrow niche in rock music is the recording on which one artist composes, plays, sings and often produces each track. As a showcase of individual effort and talent, the single-artist rock album has been adopted by artists such as Neil Young, Stevie Wonder, and Prince to produce unique additions to their discographies.
To this type of album, Steve Hamelman has affixed the label AlphaSoloism. In All by Myself: Essays on the Single-Artist Rock Album, eleven scholars explore eleven different albums, both well-known and obscure, released between 1970 and 2011. Their essays illuminate aesthetic, technical, and theoretical elements that distinguish AlphaSolo recordings from conventional ones.In addition to providing historical background on studio, live, original, and cover recordings released between the 1970 to the present, the essays explore questions of intention, craft, performance, and reception.
All by Myself marks the AlphaSolo subgenre’s moment of origin as a musical category and academic field. To date, no study exists on this unique genre of music-making, and All by Myself serves as a call for future investigations into this present and growing phenomenon in rock culture.
Thriving within a narrow niche in rock music is the recording on which one artist composes, plays, sings and often produces each track. As a showcase of individual effort and talent, the single-artist rock album has been adopted by artists such as Neil Young, Stevie Wonder, and Prince to produce unique additions to their discographies.
To this type of album, Steve Hamelman has affixed the label AlphaSoloism. In All by Myself: Essays on the Single-Artist Rock Album, eleven scholars explore eleven different albums, both well-known and obscure, released between 1970 and 2011. Their essays illuminate aesthetic, technical, and theoretical elements that distinguish AlphaSolo recordings from conventional ones.In addition to providing historical background on studio, live, original, and cover recordings released between the 1970 to the present, the essays explore questions of intention, craft, performance, and reception.
All by Myself marks the AlphaSolo subgenre’s moment of origin as a musical category and academic field. To date, no study exists on this unique genre of music-making, and All by Myself serves as a call for future investigations into this present and growing phenomenon in rock culture.
