Allegories of Farming from Greece and Rome

Philosophical Satire in Xenophon, Varro, and Virgil

Nonfiction, History, Ancient History, Fiction & Literature, Literary Theory & Criticism
Cover of the book Allegories of Farming from Greece and Rome by Leah Kronenberg, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Leah Kronenberg ISBN: 9780511846908
Publisher: Cambridge University Press Publication: May 14, 2009
Imprint: Cambridge University Press Language: English
Author: Leah Kronenberg
ISBN: 9780511846908
Publisher: Cambridge University Press
Publication: May 14, 2009
Imprint: Cambridge University Press
Language: English

In this book Professor Kronenberg shows that Xenophon's Oeconomicus, Varro's De Re Rustica and Virgil's Georgics are not simply works on farming but belong to a tradition of philosophical satire which uses allegory and irony to question the meaning of morality. These works metaphorically connect farming and its related arts to political life; but instead of presenting farming in its traditional guise as a positive symbol, they use it to model the deficiencies of the active life, which in turn is juxtaposed to a preferred contemplative way of life. Although these three texts are not usually treated together, this book convincingly connects them with an original and provocative interpretation of their allegorical use of farming. It also fills an important gap in our understanding of the literary influences on the Georgics by showing that it is shaped not just by its poetic predecessors but by philosophical dialogue.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In this book Professor Kronenberg shows that Xenophon's Oeconomicus, Varro's De Re Rustica and Virgil's Georgics are not simply works on farming but belong to a tradition of philosophical satire which uses allegory and irony to question the meaning of morality. These works metaphorically connect farming and its related arts to political life; but instead of presenting farming in its traditional guise as a positive symbol, they use it to model the deficiencies of the active life, which in turn is juxtaposed to a preferred contemplative way of life. Although these three texts are not usually treated together, this book convincingly connects them with an original and provocative interpretation of their allegorical use of farming. It also fills an important gap in our understanding of the literary influences on the Georgics by showing that it is shaped not just by its poetic predecessors but by philosophical dialogue.

More books from Cambridge University Press

Cover of the book Appearance Bias and Crime by Leah Kronenberg
Cover of the book A Student's Guide to Equity and Trusts by Leah Kronenberg
Cover of the book Structure and Bonding in Crystalline Materials by Leah Kronenberg
Cover of the book The International Law of the Sea by Leah Kronenberg
Cover of the book How to Improve your ART Success Rates by Leah Kronenberg
Cover of the book Quantum Computing since Democritus by Leah Kronenberg
Cover of the book The Printing Revolution in Early Modern Europe by Leah Kronenberg
Cover of the book The Holocaust and the Germanization of Ukraine by Leah Kronenberg
Cover of the book Animal Experimentation by Leah Kronenberg
Cover of the book Contemporary Chinese Politics by Leah Kronenberg
Cover of the book Calculus: Concepts and Methods by Leah Kronenberg
Cover of the book The Problem of Job and the Problem of Evil by Leah Kronenberg
Cover of the book Legal Foundations of Tribunals in Nineteenth Century England by Leah Kronenberg
Cover of the book The Anthropology of Intentions by Leah Kronenberg
Cover of the book Secession on Trial by Leah Kronenberg
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy