Anarchy and Art

From the Paris Commune to the Fall of the Berlin Wall

Nonfiction, Art & Architecture, General Art, Criticism, Social & Cultural Studies, Political Science
Cover of the book Anarchy and Art by Allan Antliff, Arsenal Pulp Press
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Author: Allan Antliff ISBN: 9781551523002
Publisher: Arsenal Pulp Press Publication: April 1, 2007
Imprint: Arsenal Pulp Press Language: English
Author: Allan Antliff
ISBN: 9781551523002
Publisher: Arsenal Pulp Press
Publication: April 1, 2007
Imprint: Arsenal Pulp Press
Language: English

One of the powers of art is its ability to convey the human aspects of political events. In this fascinating survey on art, artists, and anarchism, Allan Antliff interrogates critical moments when anarchist artists have confronted pivotal events over the past 140 years. The survey begins with Gustave Courbet’s activism during the 1871 Paris Commune (which established the French republic) and ends with anarchist art during the fall of the Soviet empire. Other subjects include the French neoimpressionists, the Dada movement in New York, anarchist art during the Russian Revolution, political art of the 1960s, and gay art and politics post-World War II. Throughout, Antliff vividly explores art’s potential as a vehicle for social change and how it can also shape the course of political events, both historic and present-day; it is a book for the politically engaged and art aficionados alike.

Allan Antliff is the author of Anarchist Modernism.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

One of the powers of art is its ability to convey the human aspects of political events. In this fascinating survey on art, artists, and anarchism, Allan Antliff interrogates critical moments when anarchist artists have confronted pivotal events over the past 140 years. The survey begins with Gustave Courbet’s activism during the 1871 Paris Commune (which established the French republic) and ends with anarchist art during the fall of the Soviet empire. Other subjects include the French neoimpressionists, the Dada movement in New York, anarchist art during the Russian Revolution, political art of the 1960s, and gay art and politics post-World War II. Throughout, Antliff vividly explores art’s potential as a vehicle for social change and how it can also shape the course of political events, both historic and present-day; it is a book for the politically engaged and art aficionados alike.

Allan Antliff is the author of Anarchist Modernism.

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