Ancient Drama in Music for the Modern Stage

Nonfiction, History, Ancient History, Greece, Entertainment, Performing Arts
Cover of the book Ancient Drama in Music for the Modern Stage by , OUP Oxford
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780191610943
Publisher: OUP Oxford Publication: September 2, 2010
Imprint: OUP Oxford Language: English
Author:
ISBN: 9780191610943
Publisher: OUP Oxford
Publication: September 2, 2010
Imprint: OUP Oxford
Language: English

Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the two genres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume mostly concentrates on the tragic repertoire, but a chapter on musical versions of Aristophanes' Lysistrata is included, as well as discussions of incidental music, a very important part of the musical reception of ancient drama, from Andrea Gabrieli in 1585 to Harrison Birtwistle and Judith Weir in the late twentieth and early twenty-first centuries.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Opera was invented at the end of the sixteenth century in imitation of the supposed style of delivery of ancient Greek tragedy, and, since then, operas based on Greek drama have been among the most important in the repertoire. This collection of essays by leading authorities in the fields of Classics, Musicology, Dance Studies, English Literature, Modern Languages, and Theatre Studies provides an exceptionally wide-ranging and detailed overview of the relationship between the two genres. Since tragedies have played a much larger part than comedies in this branch of operatic history, the volume mostly concentrates on the tragic repertoire, but a chapter on musical versions of Aristophanes' Lysistrata is included, as well as discussions of incidental music, a very important part of the musical reception of ancient drama, from Andrea Gabrieli in 1585 to Harrison Birtwistle and Judith Weir in the late twentieth and early twenty-first centuries.

More books from OUP Oxford

Cover of the book The Evolution of Modern Grand Strategic Thought by
Cover of the book The Many Worlds of Hugh Everett III by
Cover of the book Food & Fitness: A Dictionary of Diet & Exercise by
Cover of the book The Lisbon Treaty by
Cover of the book Protecting the World's Children by
Cover of the book Process, Action, and Experience by
Cover of the book Luxury by
Cover of the book Ether and Modernity by
Cover of the book The Ecclesiastical History of the English People by
Cover of the book The Teacher's Guide to Grammar by
Cover of the book Blackstone's Custody Officers' Manual by
Cover of the book The Economics of Beer by
Cover of the book Introduction to Perfusion Quantification using Arterial Spin Labelling by
Cover of the book Wives and Daughters by
Cover of the book Subjective Consciousness by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy