Animation, Plasticity, and Music in Italy, 1770-1830

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera, Theory & Criticism, History & Criticism, Reference
Cover of the book Animation, Plasticity, and Music in Italy, 1770-1830 by Ellen Lockhart, University of California Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ellen Lockhart ISBN: 9780520960060
Publisher: University of California Press Publication: September 19, 2017
Imprint: University of California Press Language: English
Author: Ellen Lockhart
ISBN: 9780520960060
Publisher: University of California Press
Publication: September 19, 2017
Imprint: University of California Press
Language: English

This path-breaking study of stage works in Italian musical performances reconsiders a crucial period of music history. Through an interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music, and vice versa. As Lockhart reveals, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770–1830. Taking as its point of departure a repertoire of Italian ballets, melodramas, and operas from this period, Animation, Plasticity, and Music in Italy traces its core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This path-breaking study of stage works in Italian musical performances reconsiders a crucial period of music history. Through an interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music, and vice versa. As Lockhart reveals, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770–1830. Taking as its point of departure a repertoire of Italian ballets, melodramas, and operas from this period, Animation, Plasticity, and Music in Italy traces its core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism.

More books from University of California Press

Cover of the book Edgar G. Ulmer by Ellen Lockhart
Cover of the book Cumin, Camels, and Caravans by Ellen Lockhart
Cover of the book K-Pop by Ellen Lockhart
Cover of the book Gender in the Twenty-First Century by Ellen Lockhart
Cover of the book Divine Deliverance by Ellen Lockhart
Cover of the book The Untold History of Ramen by Ellen Lockhart
Cover of the book The Myth of Continents by Ellen Lockhart
Cover of the book Restless Souls by Ellen Lockhart
Cover of the book In the Field by Ellen Lockhart
Cover of the book Performing Piety by Ellen Lockhart
Cover of the book The Hum of the World by Ellen Lockhart
Cover of the book Bishops in Flight by Ellen Lockhart
Cover of the book Genesis of the Salk Institute by Ellen Lockhart
Cover of the book Bitter and Sweet by Ellen Lockhart
Cover of the book Uruguay, 1968 by Ellen Lockhart
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy