Archaic Style in English Literature, 1590–1674

Fiction & Literature, Literary Theory & Criticism, Ancient & Classical, British
Cover of the book Archaic Style in English Literature, 1590–1674 by Lucy Munro, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Lucy Munro ISBN: 9781107461925
Publisher: Cambridge University Press Publication: November 28, 2013
Imprint: Cambridge University Press Language: English
Author: Lucy Munro
ISBN: 9781107461925
Publisher: Cambridge University Press
Publication: November 28, 2013
Imprint: Cambridge University Press
Language: English

Ranging from the works of Shakespeare, Spenser, Jonson and Milton to those of Robert Southwell and Anna Trapnel, this groundbreaking study explores the conscious use of archaic style by the poets and dramatists between 1590 and 1674. It focuses on the wide-ranging, complex and self-conscious uses of archaic linguistic and poetic style, analysing the uses to which writers put literary style in order to re-embody and reshape the past. Munro brings together scholarly conversations on temporality, memory and historiography, on the relationships between medieval and early modern literary cultures, on the workings of dramatic and poetic style, and on national history and identity. Neither pure anachronism nor pure nostalgia, the attempts of writers to reconstruct outmoded styles within their own works reveal a largely untold story about the workings of literary influence and tradition, the interactions between past and present, and the uncertain contours of English nationhood.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Ranging from the works of Shakespeare, Spenser, Jonson and Milton to those of Robert Southwell and Anna Trapnel, this groundbreaking study explores the conscious use of archaic style by the poets and dramatists between 1590 and 1674. It focuses on the wide-ranging, complex and self-conscious uses of archaic linguistic and poetic style, analysing the uses to which writers put literary style in order to re-embody and reshape the past. Munro brings together scholarly conversations on temporality, memory and historiography, on the relationships between medieval and early modern literary cultures, on the workings of dramatic and poetic style, and on national history and identity. Neither pure anachronism nor pure nostalgia, the attempts of writers to reconstruct outmoded styles within their own works reveal a largely untold story about the workings of literary influence and tradition, the interactions between past and present, and the uncertain contours of English nationhood.

More books from Cambridge University Press

Cover of the book Rabbi Meir of Rothenburg and the Foundation of Jewish Political Thought by Lucy Munro
Cover of the book George Eliot's Intellectual Life by Lucy Munro
Cover of the book The Meaning of the Wave Function by Lucy Munro
Cover of the book The New Introduction to Geographical Economics by Lucy Munro
Cover of the book Violence and the State in Languedoc, 1250–1400 by Lucy Munro
Cover of the book The Hajj by Lucy Munro
Cover of the book Quantum Theory at the Crossroads by Lucy Munro
Cover of the book A Quietist Jihadi by Lucy Munro
Cover of the book A History of the Berliner Ensemble by Lucy Munro
Cover of the book The Illustrated Shakespeare, 1709–1875 by Lucy Munro
Cover of the book Ostia in Late Antiquity by Lucy Munro
Cover of the book The Pauline Church and the Corinthian Ekklēsia by Lucy Munro
Cover of the book Politeia in Greek and Roman Philosophy by Lucy Munro
Cover of the book Direct Action, Deliberation, and Diffusion by Lucy Munro
Cover of the book The Militant Face of Democracy by Lucy Munro
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy