Armenian Literature

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Armenian Literature by Anonymous, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Anonymous ISBN: 9781613107386
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Anonymous
ISBN: 9781613107386
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
The literature of ancient Armenia that is still extant is meagre in quantity and to a large extent ecclesiastical in tone. To realize its oriental color one must resort entirely to that portion which deals with the home life of the people, with their fasts and festivals, their emotions, manners, and traditions. The ecclesiastical character of much of the early Armenian literature is accounted for by the fact that Christianity was preached there in the first century after Christ, by the apostles Thaddeus and Bartholomew, and that the Armenian Church is the oldest national Christian Church in the world. It is no doubt owing to the conversion of the entire Armenian nation under the passionate preaching of Gregory the Illuminator that most of the literary products, of primitive Armenia—the mythological legends and chants of heroic deeds sung by bards—are lost. The Church would have none of them. Gregory not only destroyed the pagan temples, but he sought to stamp out the pagan literature—the poetry and recorded traditions that celebrated the deeds of gods and goddesses and of national heroes. He would have succeeded, too, had not the romantic spirit of the race clung fondly to their ballads and folk-lore. Ecclesiastical historiographers in referring to those times say quaintly enough, meaning to censure the people, that in spite of their great religious advantages the Armenians persisted in singing some of their heathen ballads as late as the twelfth century. Curiously enough, we owe the fragments we possess of early Armenian poetry to these same ecclesiastical critics. These fragments suggest a popular poesy, stirring and full of powerful imagery, employed mostly in celebrating royal marriages, religious feasts, and containing dirges for the dead, and ballads of customs—not a wide field, but one invaluable to the philologist and to ethnological students.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
The literature of ancient Armenia that is still extant is meagre in quantity and to a large extent ecclesiastical in tone. To realize its oriental color one must resort entirely to that portion which deals with the home life of the people, with their fasts and festivals, their emotions, manners, and traditions. The ecclesiastical character of much of the early Armenian literature is accounted for by the fact that Christianity was preached there in the first century after Christ, by the apostles Thaddeus and Bartholomew, and that the Armenian Church is the oldest national Christian Church in the world. It is no doubt owing to the conversion of the entire Armenian nation under the passionate preaching of Gregory the Illuminator that most of the literary products, of primitive Armenia—the mythological legends and chants of heroic deeds sung by bards—are lost. The Church would have none of them. Gregory not only destroyed the pagan temples, but he sought to stamp out the pagan literature—the poetry and recorded traditions that celebrated the deeds of gods and goddesses and of national heroes. He would have succeeded, too, had not the romantic spirit of the race clung fondly to their ballads and folk-lore. Ecclesiastical historiographers in referring to those times say quaintly enough, meaning to censure the people, that in spite of their great religious advantages the Armenians persisted in singing some of their heathen ballads as late as the twelfth century. Curiously enough, we owe the fragments we possess of early Armenian poetry to these same ecclesiastical critics. These fragments suggest a popular poesy, stirring and full of powerful imagery, employed mostly in celebrating royal marriages, religious feasts, and containing dirges for the dead, and ballads of customs—not a wide field, but one invaluable to the philologist and to ethnological students.

More books from Library of Alexandria

Cover of the book The Swindler and Other Stories by Anonymous
Cover of the book Charles Tyrrell: The Bitter Blood (Complete) by Anonymous
Cover of the book The First Epistle, The Second Epistle and The Third Epistle (Complete) by Anonymous
Cover of the book Elizabethan Demonology by Anonymous
Cover of the book Reminiscences of Anton Chekhov by Anonymous
Cover of the book Cicero Letters to Atticus (Complete) by Anonymous
Cover of the book Yoga Vashisht or Heaven Found by Anonymous
Cover of the book The Avenging of the Saviour by Anonymous
Cover of the book The Boyhood of Jesus by Anonymous
Cover of the book In the Days of Alfred the Great by Anonymous
Cover of the book Regulations for the Establishment and Government of the Royal Military Asylum by Anonymous
Cover of the book The Lady of The Forest: A Story for Girls by Anonymous
Cover of the book The Tarjuman al-Ashwaq by Anonymous
Cover of the book The Sea-beach at Ebb-tide: A Guide to the Study of the Seaweeds and the Lower Animal Life Found Between Tide-marks by Anonymous
Cover of the book The Rainbow Feather by Anonymous
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy