Arnheim for Film and Media Studies

Nonfiction, Social & Cultural Studies, Social Science
Cover of the book Arnheim for Film and Media Studies by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781135966928
Publisher: Taylor and Francis Publication: October 18, 2010
Imprint: Routledge Language: English
Author:
ISBN: 9781135966928
Publisher: Taylor and Francis
Publication: October 18, 2010
Imprint: Routledge
Language: English

Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoretical work on cinema. However, his later aesthetic theories on form, perception and emotion should play an important role in contemporary film and media studies.

In this enlightening new volume in the AFI Film Readers series, an international group of leading scholars revisits Arnheim’s legacy for film and media studies. In fourteen essays, the contributors bring Arnheim’s later work on the visual arts to bear on film and media, while also reassessing the implications of his film theory to help refine our grasp of Film as Art and related texts. The contributors discuss a broad range topics including Arnheim’s film writings in relation to modernism, his antipathy to sound as well as color in film, the formation of his early ideas on film against the social and political backdrop of the day, the wider uses of his methodology, and the implications of his work for digital media.

This is essential reading for any film and media student or scholar seeking to understand the meaning and contemporary impact of Arnheim’s foundational work in film theory and aesthetics.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoretical work on cinema. However, his later aesthetic theories on form, perception and emotion should play an important role in contemporary film and media studies.

In this enlightening new volume in the AFI Film Readers series, an international group of leading scholars revisits Arnheim’s legacy for film and media studies. In fourteen essays, the contributors bring Arnheim’s later work on the visual arts to bear on film and media, while also reassessing the implications of his film theory to help refine our grasp of Film as Art and related texts. The contributors discuss a broad range topics including Arnheim’s film writings in relation to modernism, his antipathy to sound as well as color in film, the formation of his early ideas on film against the social and political backdrop of the day, the wider uses of his methodology, and the implications of his work for digital media.

This is essential reading for any film and media student or scholar seeking to understand the meaning and contemporary impact of Arnheim’s foundational work in film theory and aesthetics.

More books from Taylor and Francis

Cover of the book Neighborhood Context and the Development of African American Children by
Cover of the book Handbook of the New Sexuality Studies by
Cover of the book Ethnic Chinese Entrepreneurship in Malaysia by
Cover of the book The Institutionalisation of Disaster Risk Reduction by
Cover of the book Sport, Racism And Ethnicity by
Cover of the book The Fiscal Impact Handbook by
Cover of the book Ethics in the Wake of Wittgenstein by
Cover of the book The Stage Manager's Toolkit by
Cover of the book Christianity and Morals by
Cover of the book Love, Lust, and License in Early Modern England by
Cover of the book Selected Studies in Romantic and American Literature, History, and Culture by
Cover of the book The Existentialism of Jean-Paul Sartre by
Cover of the book Israel at the Polls 2006 by
Cover of the book Philosophy of Mind by
Cover of the book The Edge of Experience by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy