Ars et Ingenium: The Embodiment of Imagination in Francesco di Giorgio Martini's Drawings

Nonfiction, Art & Architecture, Architecture, Public, Commercial, or Industrial Buildings, History, Renaissance
Cover of the book Ars et Ingenium: The Embodiment of Imagination in Francesco di Giorgio Martini's Drawings by Pari Riahi, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Pari Riahi ISBN: 9781317755982
Publisher: Taylor and Francis Publication: February 11, 2015
Imprint: Routledge Language: English
Author: Pari Riahi
ISBN: 9781317755982
Publisher: Taylor and Francis
Publication: February 11, 2015
Imprint: Routledge
Language: English

When did drawing become an integral part of architecture? Among several architects and artists who brought about this change during the Renaissance, Francesco di Giorgio Martini’s ideas on drawing recorded in his Trattati di architettura, ingegneria e arte militare (1475-1490) are significant. Francesco suggests that drawing is linked to the architect’s imagination and central in conveying images and ideas to others.

Starting with the broader edges of Francesco’s written work and steadily penetrating into the fantastic world of his drawings, the book examines his singular formulation of the act of drawing and its significance in the context of the Renaissance. The book concludes with speculations on how Francesco’s work is relevant to us at the onset of another major shift in architecture caused by the proliferation of digital media.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

When did drawing become an integral part of architecture? Among several architects and artists who brought about this change during the Renaissance, Francesco di Giorgio Martini’s ideas on drawing recorded in his Trattati di architettura, ingegneria e arte militare (1475-1490) are significant. Francesco suggests that drawing is linked to the architect’s imagination and central in conveying images and ideas to others.

Starting with the broader edges of Francesco’s written work and steadily penetrating into the fantastic world of his drawings, the book examines his singular formulation of the act of drawing and its significance in the context of the Renaissance. The book concludes with speculations on how Francesco’s work is relevant to us at the onset of another major shift in architecture caused by the proliferation of digital media.

More books from Taylor and Francis

Cover of the book Electronic Journal Management Systems by Pari Riahi
Cover of the book Feminist Nationalism by Pari Riahi
Cover of the book The Individualist Anarchists by Pari Riahi
Cover of the book Social Leader by Pari Riahi
Cover of the book Equality, Participation and Inclusion 1 by Pari Riahi
Cover of the book The Employment Impact of Innovation by Pari Riahi
Cover of the book Resegregation as Curriculum by Pari Riahi
Cover of the book The Foundations of Political Economy and Social Reform by Pari Riahi
Cover of the book Cinema and Ireland by Pari Riahi
Cover of the book Urban Open Spaces by Pari Riahi
Cover of the book The Dark Side of Interpersonal Communication by Pari Riahi
Cover of the book Praising His Name In The Dance by Pari Riahi
Cover of the book Cultural Diversity And The Schools by Pari Riahi
Cover of the book Measuring and Evaluating Sustainability by Pari Riahi
Cover of the book Meaning and the English Verb by Pari Riahi
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy