Art after Empire
From Colonialism to Globalisation
Nonfiction, Art & Architecture, General Art, Criticism, Art History
| Author: | ISBN: | 9781526122971 | |
| Publisher: | Manchester University Press | Publication: | August 1, 2018 |
| Imprint: | Manchester University Press | Language: | English |
| Author: | |
| ISBN: | 9781526122971 |
| Publisher: | Manchester University Press |
| Publication: | August 1, 2018 |
| Imprint: | Manchester University Press |
| Language: | English |
This book explores the relationship between art and visual culture in Europe and the ‘wider world’ from the early twentieth century to the contemporary era of globalisation. Artists such as Pablo Picasso explored the art of the rest of world in ways that were increasingly challenged as Eurocentric by artists such as the Surrealists. The complex relationship between art, politics and post-colonial struggle is then investigated in the work of Diego Rivera and Mexican muralist painters and more recent installation and lens-based practices, including work by Ai Weiwei and Chantal Ackerman. The contributors consider the roles of museums and art institutions, international exhibitions, and the art market, alongside patterns of artistic migration across continents and the growing use of communication technologies. This book is an ideal teaching aid for undergraduates in history of art and related disciplines.
This book explores the relationship between art and visual culture in Europe and the ‘wider world’ from the early twentieth century to the contemporary era of globalisation. Artists such as Pablo Picasso explored the art of the rest of world in ways that were increasingly challenged as Eurocentric by artists such as the Surrealists. The complex relationship between art, politics and post-colonial struggle is then investigated in the work of Diego Rivera and Mexican muralist painters and more recent installation and lens-based practices, including work by Ai Weiwei and Chantal Ackerman. The contributors consider the roles of museums and art institutions, international exhibitions, and the art market, alongside patterns of artistic migration across continents and the growing use of communication technologies. This book is an ideal teaching aid for undergraduates in history of art and related disciplines.
