Art for Social Change and Cultural Awakening

An Anthropology of Residence in Taiwan

Nonfiction, Art & Architecture, Art History, Asian, General Art
Cover of the book Art for Social Change and Cultural Awakening by Wei Hsiu Tung, National University of Tainan, Lexington Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Wei Hsiu Tung, National University of Tainan ISBN: 9780739165867
Publisher: Lexington Books Publication: September 5, 2013
Imprint: Lexington Books Language: English
Author: Wei Hsiu Tung, National University of Tainan
ISBN: 9780739165867
Publisher: Lexington Books
Publication: September 5, 2013
Imprint: Lexington Books
Language: English

Artistic residency has become widely adopted in Western countries while only recently having become popular and well-supported within Taiwan. This book explores the challenges that this form of art practice faced in contemporary Taiwan from the revocation of Martial Law in 1987 to the 2000s—arguably one of the most exciting periods in the sociocultural history of the island. Case studies show what is at stake politically, historically, and socially in artists’ endeavours to give shape to a sense of Taiwanese identity.

Despite the prevalence of artists engaged in social issues in today’s world and the undeniable contributions of artistic residency to contemporary art practice, little literature or scholarly research has been conducted on the practical, conceptual, and ideological aspects of artist residency. Very often, it is perceived in very narrow terms, overlooking explicit or hidden issues of localism, nationalism and globalization. If artistic residence did indeed emerge from the radical movements of the 1960s and 70s in the Western world—and especially Britain—then this book argues that the contemporary sociocultural context of Taiwan calls for redefined, culturally-specific models of residency.

The precarious geo-political situation of Taiwan has made issues of cultural identity—tackled by artists and successive governments alike—very sensitive. A new genre of artistic residence in Taiwan would mean that artists involved from whatever cultural background operate as engaging interpreters; their roles would not be confined to mirroring culture and society. These artists-in-residence would contribute to cultural awakening by offering ways of negotiating creatively with otherness, and this for the sake of a better social life and shared identity.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Artistic residency has become widely adopted in Western countries while only recently having become popular and well-supported within Taiwan. This book explores the challenges that this form of art practice faced in contemporary Taiwan from the revocation of Martial Law in 1987 to the 2000s—arguably one of the most exciting periods in the sociocultural history of the island. Case studies show what is at stake politically, historically, and socially in artists’ endeavours to give shape to a sense of Taiwanese identity.

Despite the prevalence of artists engaged in social issues in today’s world and the undeniable contributions of artistic residency to contemporary art practice, little literature or scholarly research has been conducted on the practical, conceptual, and ideological aspects of artist residency. Very often, it is perceived in very narrow terms, overlooking explicit or hidden issues of localism, nationalism and globalization. If artistic residence did indeed emerge from the radical movements of the 1960s and 70s in the Western world—and especially Britain—then this book argues that the contemporary sociocultural context of Taiwan calls for redefined, culturally-specific models of residency.

The precarious geo-political situation of Taiwan has made issues of cultural identity—tackled by artists and successive governments alike—very sensitive. A new genre of artistic residence in Taiwan would mean that artists involved from whatever cultural background operate as engaging interpreters; their roles would not be confined to mirroring culture and society. These artists-in-residence would contribute to cultural awakening by offering ways of negotiating creatively with otherness, and this for the sake of a better social life and shared identity.

More books from Lexington Books

Cover of the book Women Officeholders and the Role Models Who Pioneered the Way by Wei Hsiu Tung, National University of Tainan
Cover of the book Political Blind Spots by Wei Hsiu Tung, National University of Tainan
Cover of the book Feminisms and Ruralities by Wei Hsiu Tung, National University of Tainan
Cover of the book Obama and the Emergence of a Multipolar World Order by Wei Hsiu Tung, National University of Tainan
Cover of the book The Classroom as Privileged Space by Wei Hsiu Tung, National University of Tainan
Cover of the book Mysticism and Architecture by Wei Hsiu Tung, National University of Tainan
Cover of the book Against Apocalypse by Wei Hsiu Tung, National University of Tainan
Cover of the book An Alternative History of Bicycles and Motorcycles by Wei Hsiu Tung, National University of Tainan
Cover of the book Identity, Rights, and Awareness by Wei Hsiu Tung, National University of Tainan
Cover of the book Rediscovering Political Economy by Wei Hsiu Tung, National University of Tainan
Cover of the book Rumors That Changed the World by Wei Hsiu Tung, National University of Tainan
Cover of the book Naturalism's Philosophy of the Sacred by Wei Hsiu Tung, National University of Tainan
Cover of the book Metamorphoses of the Zoo by Wei Hsiu Tung, National University of Tainan
Cover of the book Female Narratives in Nollywood Melodramas by Wei Hsiu Tung, National University of Tainan
Cover of the book Bilingual and Multicultural Perspectives on Poetry, Music, and Narrative by Wei Hsiu Tung, National University of Tainan
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy