Art Markets in Europe, 1400–1800

Nonfiction, History
Cover of the book Art Markets in Europe, 1400–1800 by Michael North, David Ormrod, Taylor and Francis
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Author: Michael North, David Ormrod ISBN: 9781351957045
Publisher: Taylor and Francis Publication: December 5, 2016
Imprint: Routledge Language: English
Author: Michael North, David Ormrod
ISBN: 9781351957045
Publisher: Taylor and Francis
Publication: December 5, 2016
Imprint: Routledge
Language: English

The reinvention of art-history during the 1980s has provided a serious challenge to the earlier formalist and connoisseurial approaches to the discipline, in ways which can only help economic and social historians in the current drive to study past societies in terms of what they consumed, produced, perceived and imagined. This group of essays focuses on three main issues: the demand for art, including the range of art objects purchased by various social groups; the conditions of artistic creativity and communication between different production centres and artistic millieux; and the emergence of art markets which served to link the first two phenomena. The work draws on new research by art historians and economic and social historians from Europe and the United States, and covers the period from the late Middle Ages to the early nineteenth century.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The reinvention of art-history during the 1980s has provided a serious challenge to the earlier formalist and connoisseurial approaches to the discipline, in ways which can only help economic and social historians in the current drive to study past societies in terms of what they consumed, produced, perceived and imagined. This group of essays focuses on three main issues: the demand for art, including the range of art objects purchased by various social groups; the conditions of artistic creativity and communication between different production centres and artistic millieux; and the emergence of art markets which served to link the first two phenomena. The work draws on new research by art historians and economic and social historians from Europe and the United States, and covers the period from the late Middle Ages to the early nineteenth century.

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