Arvo Pärt's White Light

Media, Culture, Politics

Nonfiction, Entertainment, Music, Social & Cultural Studies, Social Science, History
Cover of the book Arvo Pärt's White Light by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781316872123
Publisher: Cambridge University Press Publication: July 13, 2017
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781316872123
Publisher: Cambridge University Press
Publication: July 13, 2017
Imprint: Cambridge University Press
Language: English

One of the most frequently performed contemporary composers, Arvo Pärt has become a phenomenon whose unusual reach is felt well beyond the concert hall. This ground-breaking collection of essays investigates both the causes and the effects of this success. Beyond the rhetoric of 'holy minimalism' that has accompanied the composer's reception since the mid-1980s, each chapter takes a fresh approach toward understanding how Pärt's music has occupied social landscapes. The result is a dynamic conversation among filmgoers (who explore issues of empathy and resemblance), concertgoers (commerce and art), listeners (embodiment, healing and the role of technology), activists (legacies of resistance) and performers (performance practice). Collectively, these studies offer a bold and thoughtful engagement with Pärt as a major cultural figure and reflect on the unprecedented impact of his music.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

One of the most frequently performed contemporary composers, Arvo Pärt has become a phenomenon whose unusual reach is felt well beyond the concert hall. This ground-breaking collection of essays investigates both the causes and the effects of this success. Beyond the rhetoric of 'holy minimalism' that has accompanied the composer's reception since the mid-1980s, each chapter takes a fresh approach toward understanding how Pärt's music has occupied social landscapes. The result is a dynamic conversation among filmgoers (who explore issues of empathy and resemblance), concertgoers (commerce and art), listeners (embodiment, healing and the role of technology), activists (legacies of resistance) and performers (performance practice). Collectively, these studies offer a bold and thoughtful engagement with Pärt as a major cultural figure and reflect on the unprecedented impact of his music.

More books from Cambridge University Press

Cover of the book Anti-Americanism and the Rise of World Opinion by
Cover of the book I Freed Myself by
Cover of the book Making Sense of Parenthood by
Cover of the book Accountability for Collective Wrongdoing by
Cover of the book Verification and Validation in Scientific Computing by
Cover of the book The Cambridge Economic History of Modern Europe: Volume 1, 1700–1870 by
Cover of the book Investment Treaty Arbitration by
Cover of the book Self-Regulation in Adolescence by
Cover of the book Counter-Terrorism Strategies in a Fragmented International Legal Order by
Cover of the book Games, Learning, and Society by
Cover of the book Language, Youth and Identity in the 21st Century by
Cover of the book Evolution and Belief by
Cover of the book Augustine and the Trinity by
Cover of the book Moral Development in a Global World by
Cover of the book The Cambridge Introduction to Performance Theory by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy