At the End of the Road

Jack Kerouac in Mexico

Fiction & Literature, Literary Theory & Criticism, American, Biography & Memoir, Literary
Cover of the book At the End of the Road by Jorge García-Robles, University of Minnesota Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jorge García-Robles ISBN: 9781452942261
Publisher: University of Minnesota Press Publication: October 15, 2014
Imprint: Univ Of Minnesota Press Language: English
Author: Jorge García-Robles
ISBN: 9781452942261
Publisher: University of Minnesota Press
Publication: October 15, 2014
Imprint: Univ Of Minnesota Press
Language: English

“We had finally found the magic land at the end of the road and we never dreamed the extent of the magic.” Mexico, an escape route, inspiration, and ecstatic terminus of the celebrated novel On the Road, was crucial to Jack Kerouac’s creative development. In this dramatic and highly compelling account, Jorge García-Robles, leading authority on the Beats in Mexico, re-creates both the actual events and the literary imaginings of Kerouac in what became the writer’s revelatory terrain.

Providing Kerouac an immediate spiritual freshness that contrasted with the staid society of the United States, Mexico was perhaps the single most important country in his life. Sourcing material from the Beat author’s vast output and revealing correspondence, García-Robles vividly describes the milieu and people that influenced him while sojourning there and the circumstances between his myriad arrivals and departures. From the writer’s initial euphoria upon encountering Mexico and its fascinating tableau of humanity to his tortured relationship with a Mexican prostitute who inspired his novella Tristessa, this volume chronicles Kerouac’s often illusory view of the country while realistically detailing the incidents and individuals that found their way into his poetry and prose.

In juxtaposing Kerouac’s idyllic image of Mexico with his actual experiences of being extorted, assaulted, and harassed, García-Robles offers the essential Mexican perspective. Finding there the spiritual nourishment he was starved for in the United States, Kerouac held fast to his idealized notion of the country, even as the stories he recounts were as much literary as real.

“We had finally found the magic land at the end of the road and we never dreamed the extent of the magic.” Mexico, an escape route, inspiration, and ecstatic terminus of the celebrated novel On the Road, was crucial to Jack Kerouac’s creative development. In this dramatic and highly compelling account, Jorge García-Robles, leading authority on the Beats in Mexico, re-creates both the actual events and the literary imaginings of Kerouac in what became the writer’s revelatory terrain.

Providing Kerouac an immediate spiritual freshness that contrasted with the staid society of the United States, Mexico was perhaps the single most important country in his life. Sourcing material from the Beat author’s vast output and revealing correspondence, García-Robles vividly describes the milieu and people that influenced him while sojourning there and the circumstances between his myriad arrivals and departures. From the writer’s initial euphoria upon encountering Mexico and its fascinating tableau of humanity to his tortured relationship with a Mexican prostitute who inspired his novella Tristessa, this volume chronicles Kerouac’s often illusory view of the country while realistically detailing the incidents and individuals that found their way into his poetry and prose.

In juxtaposing Kerouac’s idyllic image of Mexico with his actual experiences of being extorted, assaulted, and harassed, García-Robles offers the essential Mexican perspective. Finding there the spiritual nourishment he was starved for in the United States, Kerouac held fast to his idealized notion of the country, even as the stories he recounts were as much literary as real.

More books from University of Minnesota Press

Cover of the book Elements of a Philosophy of Technology by Jorge García-Robles
Cover of the book Harriman vs. Hill by Jorge García-Robles
Cover of the book Architectural Agents by Jorge García-Robles
Cover of the book Playing With Fire by Jorge García-Robles
Cover of the book Foucault in Iran by Jorge García-Robles
Cover of the book Vilém Flusser by Jorge García-Robles
Cover of the book Early Blues by Jorge García-Robles
Cover of the book The Children of Lincoln by Jorge García-Robles
Cover of the book The Folklore of the Freeway by Jorge García-Robles
Cover of the book The Disenchanted by Jorge García-Robles
Cover of the book Why We Left by Jorge García-Robles
Cover of the book Constitutional Modernism by Jorge García-Robles
Cover of the book The Undocumented Everyday by Jorge García-Robles
Cover of the book Players and Their Pets by Jorge García-Robles
Cover of the book Inanimation by Jorge García-Robles
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy