Aurality

Listening and Knowledge in Nineteenth-Century Colombia

Nonfiction, Science & Nature, Science, Physics, Acoustics & Sound, Entertainment, Music, Theory & Criticism, Ethnomusicology, History, Americas, South America
Cover of the book Aurality by Ana María Ochoa Gautier, Duke University Press
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Author: Ana María Ochoa Gautier ISBN: 9780822376262
Publisher: Duke University Press Publication: February 20, 2015
Imprint: Duke University Press Books Language: English
Author: Ana María Ochoa Gautier
ISBN: 9780822376262
Publisher: Duke University Press
Publication: February 20, 2015
Imprint: Duke University Press Books
Language: English

In this audacious book, Ana María Ochoa Gautier explores how listening has been central to the production of notions of language, music, voice, and sound that determine the politics of life. Drawing primarily from nineteenth-century Colombian sources, Ochoa Gautier locates sounds produced by different living entities at the juncture of the human and nonhuman. Her "acoustically tuned" analysis of a wide array of texts reveals multiple debates on the nature of the aural. These discussions were central to a politics of the voice harnessed in the service of the production of different notions of personhood and belonging. In Ochoa Gautier's groundbreaking work, Latin America and the Caribbean emerge as a historical site where the politics of life and the politics of expression inextricably entangle the musical and the linguistic, knowledge and the sensorial.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In this audacious book, Ana María Ochoa Gautier explores how listening has been central to the production of notions of language, music, voice, and sound that determine the politics of life. Drawing primarily from nineteenth-century Colombian sources, Ochoa Gautier locates sounds produced by different living entities at the juncture of the human and nonhuman. Her "acoustically tuned" analysis of a wide array of texts reveals multiple debates on the nature of the aural. These discussions were central to a politics of the voice harnessed in the service of the production of different notions of personhood and belonging. In Ochoa Gautier's groundbreaking work, Latin America and the Caribbean emerge as a historical site where the politics of life and the politics of expression inextricably entangle the musical and the linguistic, knowledge and the sensorial.

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