Barrio-Logos

Space and Place in Urban Chicano Literature and Culture

Fiction & Literature, Literary Theory & Criticism, American
Cover of the book Barrio-Logos by Raúl Homero Villa, University of Texas Press
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Author: Raúl Homero Villa ISBN: 9780292773844
Publisher: University of Texas Press Publication: March 6, 2009
Imprint: University of Texas Press Language: English
Author: Raúl Homero Villa
ISBN: 9780292773844
Publisher: University of Texas Press
Publication: March 6, 2009
Imprint: University of Texas Press
Language: English
Struggles over space and resistance to geographic displacement gave birth to much of Chicano history and culture. In this pathfinding book, Ral Villa explores how California Chicano/a activists, journalists, writers, artists, and musicians have used expressive culture to oppose the community-destroying forces of urban renewal programs and massive freeway development and to create and defend a sense of Chicano place-identity.Villa opens with a historical overview that shows how Chicano communities and culture have grown in response to conflicts over space ever since the United States' annexation of Mexican territory in the 1840s. Then, turning to the work of contemporary members of the Chicano intelligentsia such as Helena Maria Viramontes, Ron Arias, and Lorna Dee Cervantes, Villa demonstrates how their expressive practices re-imagine and re-create the dominant urban space as a community enabling place. In doing so, he illuminates the endless interplay in which cultural texts and practices are shaped by and act upon their social and political contexts.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Struggles over space and resistance to geographic displacement gave birth to much of Chicano history and culture. In this pathfinding book, Ral Villa explores how California Chicano/a activists, journalists, writers, artists, and musicians have used expressive culture to oppose the community-destroying forces of urban renewal programs and massive freeway development and to create and defend a sense of Chicano place-identity.Villa opens with a historical overview that shows how Chicano communities and culture have grown in response to conflicts over space ever since the United States' annexation of Mexican territory in the 1840s. Then, turning to the work of contemporary members of the Chicano intelligentsia such as Helena Maria Viramontes, Ron Arias, and Lorna Dee Cervantes, Villa demonstrates how their expressive practices re-imagine and re-create the dominant urban space as a community enabling place. In doing so, he illuminates the endless interplay in which cultural texts and practices are shaped by and act upon their social and political contexts.

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