Bartók and the Grotesque

Studies in Modernity, the Body and Contradiction in Music

Nonfiction, Entertainment, Music
Cover of the book Bartók and the Grotesque by Julie Brown, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Julie Brown ISBN: 9781351574563
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Julie Brown
ISBN: 9781351574563
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bart�ngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart� concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Bart�eveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bart�as composing.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bart�ngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart� concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Bart�eveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bart�as composing.

More books from Taylor and Francis

Cover of the book Gender and Emotions in Medieval and Early Modern Europe: Destroying Order, Structuring Disorder by Julie Brown
Cover of the book Messiaen the Theologian by Julie Brown
Cover of the book Practical Schedule Risk Analysis by Julie Brown
Cover of the book Understanding Statistical Concepts Using S-plus by Julie Brown
Cover of the book Critical Realism and Marxism by Julie Brown
Cover of the book Energy 2000 by Julie Brown
Cover of the book Beyond Gated Communities by Julie Brown
Cover of the book Multiple Democracies in Europe by Julie Brown
Cover of the book Women, Imagination and the Search for Truth in Early Modern France by Julie Brown
Cover of the book Helping Students Motivate Themselves by Julie Brown
Cover of the book The Anthony Roll of Henry VIII's Navy by Julie Brown
Cover of the book Corporate Links And Foreign Direct Investment In Asia And The Pacific by Julie Brown
Cover of the book Media Servers for Lighting Programmers by Julie Brown
Cover of the book Property Rights and Eminent Domain by Julie Brown
Cover of the book Political Thought and the Tudor Commonwealth by Julie Brown
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy