| Author: | Enrique Vila-Matas | ISBN: | 9780811221535 |
| Publisher: | New Directions | Publication: | May 23, 2007 |
| Imprint: | New Directions | Language: | English |
| Author: | Enrique Vila-Matas |
| ISBN: | 9780811221535 |
| Publisher: | New Directions |
| Publication: | May 23, 2007 |
| Imprint: | New Directions |
| Language: | English |
A marvelous novel by one of Spain's most important contemporary authors, in which a clerk in a Barcelona office takes us on a romping tour of world literature.
In Bartleby & Co., an enormously enjoyable novel, Enrique Vila-Matas tackles the theme of silence in literature: the writers and non-writers who, like the scrivener Bartleby of the Herman Melville story, in answer to any question or demand, replies: "I would prefer not to." Addressing such "artists of refusal" as Robert Walser, Robert Musil, Arthur Rimbaud, Marcel Duchamp, Herman Melville, and J. D. Salinger, Bartleby & Co. could be described as a meditation: a walking tour through the annals of literature. Written as a series of footnotes (a non-work itself), Bartleby embarks on such questions as why do we write, why do we exist? The answer lies in the novel itself: told from the point of view of a hermetic hunchback who has no luck with women, and is himself unable to write, Bartleby is utterly engaging, a work of profound and philosophical beauty.
A marvelous novel by one of Spain's most important contemporary authors, in which a clerk in a Barcelona office takes us on a romping tour of world literature.
In Bartleby & Co., an enormously enjoyable novel, Enrique Vila-Matas tackles the theme of silence in literature: the writers and non-writers who, like the scrivener Bartleby of the Herman Melville story, in answer to any question or demand, replies: "I would prefer not to." Addressing such "artists of refusal" as Robert Walser, Robert Musil, Arthur Rimbaud, Marcel Duchamp, Herman Melville, and J. D. Salinger, Bartleby & Co. could be described as a meditation: a walking tour through the annals of literature. Written as a series of footnotes (a non-work itself), Bartleby embarks on such questions as why do we write, why do we exist? The answer lies in the novel itself: told from the point of view of a hermetic hunchback who has no luck with women, and is himself unable to write, Bartleby is utterly engaging, a work of profound and philosophical beauty.
