Baudelaire and Photography

Finding the Painter of Modern Life

Nonfiction, Reference & Language, Foreign Languages, Language Arts
Cover of the book Baudelaire and Photography by Timothy Raser, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Timothy Raser ISBN: 9781351574389
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Timothy Raser
ISBN: 9781351574389
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

While Baudelaire's 'Le Peintre de la vie moderne' is often cited as the first expression of our theory of modernism, his choice of Constantin Guys as that painter has caused consternation from the moment of the essay's publication in 1863. Worse still, in his 'Salon de 1859', Baudelaire had also chosen to condemn photography in terms that echo to this day. Why did the excellent critic choose a mere reporter and illustrator as the painter of modern life? How could he have overlooked photography as the painting of modern life? In this study of modernity and photography in Baudelaire's writing, Timothy Raser, who has written on the art criticism of Baudelaire, Proust, Claudel and Sartre, shows how these two aberrations of critical judgment are related, and how they underlie current discussions of both photography and modernism. Timothy Raser is Professor of French at the University of Georgia (USA).

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

While Baudelaire's 'Le Peintre de la vie moderne' is often cited as the first expression of our theory of modernism, his choice of Constantin Guys as that painter has caused consternation from the moment of the essay's publication in 1863. Worse still, in his 'Salon de 1859', Baudelaire had also chosen to condemn photography in terms that echo to this day. Why did the excellent critic choose a mere reporter and illustrator as the painter of modern life? How could he have overlooked photography as the painting of modern life? In this study of modernity and photography in Baudelaire's writing, Timothy Raser, who has written on the art criticism of Baudelaire, Proust, Claudel and Sartre, shows how these two aberrations of critical judgment are related, and how they underlie current discussions of both photography and modernism. Timothy Raser is Professor of French at the University of Georgia (USA).

More books from Taylor and Francis

Cover of the book The New Regulation and Governance of Food by Timothy Raser
Cover of the book Understanding Art in Primary Schools by Timothy Raser
Cover of the book Democratic Social Education by Timothy Raser
Cover of the book European-East Asian Borders in Translation by Timothy Raser
Cover of the book China’s Search for Energy Security by Timothy Raser
Cover of the book Environmental Change and Human Development by Timothy Raser
Cover of the book Pretend the World Is Funny and Forever by Timothy Raser
Cover of the book Creative Therapy in Challenging Situations by Timothy Raser
Cover of the book Vocal Chamber Music by Timothy Raser
Cover of the book Lesbians and Lesbianisms by Timothy Raser
Cover of the book Donne's Religious Writing by Timothy Raser
Cover of the book Preparing Classroom Teachers to Succeed with Second Language Learners by Timothy Raser
Cover of the book Darwin in Atlantic Cultures by Timothy Raser
Cover of the book The Zollverein by Timothy Raser
Cover of the book Financial Statements Analysis by Timothy Raser
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy