Believing in Shakespeare
Studies in Longing
Fiction & Literature, Literary Theory & Criticism, Drama History & Criticism, British
| Author: | Claire McEachern | ISBN: | 9781108380737 |
| Publisher: | Cambridge University Press | Publication: | March 31, 2018 |
| Imprint: | Cambridge University Press | Language: | English |
| Author: | Claire McEachern |
| ISBN: | 9781108380737 |
| Publisher: | Cambridge University Press |
| Publication: | March 31, 2018 |
| Imprint: | Cambridge University Press |
| Language: | English |
This ground breaking and accessible study explores the connections between the English Reformation's impact on the belief in eternal salvation and how it affected ways of believing in the plays of Shakespeare. Claire McEachern examines the new and better faith that Protestantism imagined for itself, a faith in which scepticism did not erode belief, but worked to substantiate it in ways that were both affectively positive and empirically positivist. Concluding with in-depth readings of Richard II, King Lear and The Tempest, the book represents a markedly fresh intervention in the topic of Shakespeare and religion. With great originality, McEachern argues that the English reception of the Calvinist imperative to 'know with' God allowed the very nature of literary involvement to change, transforming feeling for a character into feeling with one.
This ground breaking and accessible study explores the connections between the English Reformation's impact on the belief in eternal salvation and how it affected ways of believing in the plays of Shakespeare. Claire McEachern examines the new and better faith that Protestantism imagined for itself, a faith in which scepticism did not erode belief, but worked to substantiate it in ways that were both affectively positive and empirically positivist. Concluding with in-depth readings of Richard II, King Lear and The Tempest, the book represents a markedly fresh intervention in the topic of Shakespeare and religion. With great originality, McEachern argues that the English reception of the Calvinist imperative to 'know with' God allowed the very nature of literary involvement to change, transforming feeling for a character into feeling with one.
