Best Contemporary Monologues for Men 18-35
Nonfiction, Entertainment, Performing Arts, Theatre, Acting & Auditioning, Fiction & Literature, Drama
| Author: | Lawrence Harbison | ISBN: | 9781495013591 |
| Publisher: | Applause | Publication: | January 1, 2000 |
| Imprint: | Applause | Language: | English |
| Author: | Lawrence Harbison |
| ISBN: | 9781495013591 |
| Publisher: | Applause |
| Publication: | January 1, 2000 |
| Imprint: | Applause |
| Language: | English |
Lawrence Harbison has selected 100 terrific monologues for men – from contemporary plays, all by characters between the ages of 18 and 35 – perfect for auditions or class. There are comic monologues (laughs) and dramatic monologues (no laughs). Most have a compelling present-tense action for actors to perform. A few are story monologues – and they're great stories. Actors will find pieces by star playwrights such as Don Nigro, Itamar Moses, Stephen Adly Guirgis, and Terence McNally; by exciting up-and-comers such as Nicole Pandolfo, Peter Sinn Nachtrieb, Crystal Skillman, Greg Kalleres, Reina Hardy, and J. Thalia Cunningham; and information on getting the complete text of each play. This is a must-have resource in the arsenal of every aspiring actor hoping to knock 'em dead with his contemporary piece after bowling over teachers and casting directors alike with a classical excerpt.
Lawrence Harbison has selected 100 terrific monologues for men – from contemporary plays, all by characters between the ages of 18 and 35 – perfect for auditions or class. There are comic monologues (laughs) and dramatic monologues (no laughs). Most have a compelling present-tense action for actors to perform. A few are story monologues – and they're great stories. Actors will find pieces by star playwrights such as Don Nigro, Itamar Moses, Stephen Adly Guirgis, and Terence McNally; by exciting up-and-comers such as Nicole Pandolfo, Peter Sinn Nachtrieb, Crystal Skillman, Greg Kalleres, Reina Hardy, and J. Thalia Cunningham; and information on getting the complete text of each play. This is a must-have resource in the arsenal of every aspiring actor hoping to knock 'em dead with his contemporary piece after bowling over teachers and casting directors alike with a classical excerpt.
