Between Air and Electricity

Microphones and Loudspeakers as Musical Instruments

Nonfiction, Entertainment, Music, Instruments & Instruction, Composition, Theory & Criticism, Science & Nature, Technology, Acoustics & Sound
Cover of the book Between Air and Electricity by Dr. Cathy van Eck, Bloomsbury Publishing
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Author: Dr. Cathy van Eck ISBN: 9781501327612
Publisher: Bloomsbury Publishing Publication: February 9, 2017
Imprint: Bloomsbury Academic Language: English
Author: Dr. Cathy van Eck
ISBN: 9781501327612
Publisher: Bloomsbury Publishing
Publication: February 9, 2017
Imprint: Bloomsbury Academic
Language: English

Composers and sound artists have explored for decades how to transform microphones and loudspeakers from "inaudible†? technology into genuinely new musical instruments. While the sound reproduction industry had claimed perfect high fidelity already at the beginning of the twentieth century, these artists found surprising ways of use – for instance tweaking microphones, swinging loudspeakers furiously around, ditching microphones in all kinds of vessels, or strapping loudspeakers to body parts of the audience. Between air and electricity traces their quest and sets forward a new theoretical framework, providing historic background on technological and artistic development, and diagrams of concert and performance set-ups. From popular noise musician Merzbow to minimalist classic Alvin Lucier, cult instrument inventor Hugh Davies, or contemporary visual artist Lynn Pook – they all aimed to make audible what was supposed to remain silent.

www.microphonesandloudspeakers.com

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Composers and sound artists have explored for decades how to transform microphones and loudspeakers from "inaudible†? technology into genuinely new musical instruments. While the sound reproduction industry had claimed perfect high fidelity already at the beginning of the twentieth century, these artists found surprising ways of use – for instance tweaking microphones, swinging loudspeakers furiously around, ditching microphones in all kinds of vessels, or strapping loudspeakers to body parts of the audience. Between air and electricity traces their quest and sets forward a new theoretical framework, providing historic background on technological and artistic development, and diagrams of concert and performance set-ups. From popular noise musician Merzbow to minimalist classic Alvin Lucier, cult instrument inventor Hugh Davies, or contemporary visual artist Lynn Pook – they all aimed to make audible what was supposed to remain silent.

www.microphonesandloudspeakers.com

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