Enter the Undead Author

Intellectual Property, the Ideology of Authorship, and Performance Practices since the 1960s

Nonfiction, Reference & Language, Law, Patent, Trademark, & Copyright, Fiction & Literature, Literary Theory & Criticism, Drama History & Criticism, Entertainment, Theatre, Playwriting

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

More books from Fairleigh Dickinson University Press

bigCover of the book The Brave Men of Company A by

bigCover of the book Immigration, Ethnicity, and Class in American Writing, 1830–1860 by

bigCover of the book Shakespeare the Man by

bigCover of the book Framing Law and Crime by

bigCover of the book Italian Women Writers, 1800–2000 by

bigCover of the book Images of the Modern Vampire by

bigCover of the book America’s Two Constitutions by

bigCover of the book Shakespeare’s Dramatic Persons by

bigCover of the book Coarseness in U.S. Public Communication by

bigCover of the book People's Warrior by

bigCover of the book Light as Experience and Imagination from Paleolithic to Roman Times by

bigCover of the book Division and Imagined Unity in the American Renaissance by

bigCover of the book Representing Ebola by

We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy