For the Records: How African American Consumers and Music Retailers Created Commercial Public Space in the 1960s and 1970s South

An article from Southern Cultures 17:4, The Music Issue

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference, History, Americas, United States

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Big bigCover of For the Records: How African American Consumers and Music Retailers Created Commercial Public Space in the 1960s and 1970s South

More books from The University of North Carolina Press

bigCover of the book The Memory of the Civil War in American Culture by

bigCover of the book Representing Women by

bigCover of the book New Women of the Old Faith by

bigCover of the book Sensational Modernism by

bigCover of the book The Adventures of Molly Whuppie and Other Appalachian Folktales by

bigCover of the book Democracy Betrayed by

bigCover of the book The Rise of Multicultural America by

bigCover of the book Monuments to Absence by

bigCover of the book Southern Cultures by

bigCover of the book From South Texas to the Nation by

bigCover of the book The Politics of Fashion in Eighteenth-Century America by

bigCover of the book The Dixiecrat Revolt and the End of the Solid South, 1932-1968 by

bigCover of the book Through the Garden Gate by

bigCover of the book In Praise of Prometheus by

We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy