Black Masters: A Free Family of Color in the Old South

Nonfiction, History, Americas, United States, Civil War Period (1850-1877)
Cover of the book Black Masters: A Free Family of Color in the Old South by Michael P. Johnson, James L. Roark, W. W. Norton & Company
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Michael P. Johnson, James L. Roark ISBN: 9780393245486
Publisher: W. W. Norton & Company Publication: April 17, 1986
Imprint: W. W. Norton & Company Language: English
Author: Michael P. Johnson, James L. Roark
ISBN: 9780393245486
Publisher: W. W. Norton & Company
Publication: April 17, 1986
Imprint: W. W. Norton & Company
Language: English

"A remarkably fine work of creative scholarship." —C. Vann Woodward, New York Review of Books

In 1860, when four million African Americans were enslaved, a quarter-million others, including William Ellison, were "free people of color." But Ellison was remarkable. Born a slave, his experience spans the history of the South from George Washington and Thomas Jefferson to Robert E. Lee and Jefferson Davis. In a day when most Americans, black and white, worked the soil, barely scraping together a living, Ellison was a cotton-gin maker—a master craftsman. When nearly all free blacks were destitute, Ellison was wealthy and well-established. He owned a large plantation and more slaves than all but the richest white planters.

While Ellison was exceptional in many respects, the story of his life sheds light on the collective experience of African Americans in the antebellum South to whom he remained bound by race. His family history emphasizes the fine line separating freedom from slavery.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

"A remarkably fine work of creative scholarship." —C. Vann Woodward, New York Review of Books

In 1860, when four million African Americans were enslaved, a quarter-million others, including William Ellison, were "free people of color." But Ellison was remarkable. Born a slave, his experience spans the history of the South from George Washington and Thomas Jefferson to Robert E. Lee and Jefferson Davis. In a day when most Americans, black and white, worked the soil, barely scraping together a living, Ellison was a cotton-gin maker—a master craftsman. When nearly all free blacks were destitute, Ellison was wealthy and well-established. He owned a large plantation and more slaves than all but the richest white planters.

While Ellison was exceptional in many respects, the story of his life sheds light on the collective experience of African Americans in the antebellum South to whom he remained bound by race. His family history emphasizes the fine line separating freedom from slavery.

More books from W. W. Norton & Company

Cover of the book A Colony in a Nation by Michael P. Johnson, James L. Roark
Cover of the book What Can I Do When Everything's On Fire?: A Novel by Michael P. Johnson, James L. Roark
Cover of the book Siberian Education: Growing Up in a Criminal Underworld by Michael P. Johnson, James L. Roark
Cover of the book Voyage of the Narwhal: A Novel by Michael P. Johnson, James L. Roark
Cover of the book Eternal Life: A Novel by Michael P. Johnson, James L. Roark
Cover of the book The Perfect Storm: A True Story of Men Against the Sea by Michael P. Johnson, James L. Roark
Cover of the book Tularosa: A Kevin Kerney Novel (Kevin Kerney Novels) by Michael P. Johnson, James L. Roark
Cover of the book Glare by Michael P. Johnson, James L. Roark
Cover of the book The Fiery Trial: Abraham Lincoln and American Slavery by Michael P. Johnson, James L. Roark
Cover of the book Of Poetry and Protest: From Emmett Till to Trayvon Martin by Michael P. Johnson, James L. Roark
Cover of the book The New Arcadia: Poems by Michael P. Johnson, James L. Roark
Cover of the book The Underworld: A Novel by Michael P. Johnson, James L. Roark
Cover of the book Do Not Say We Have Nothing: A Novel by Michael P. Johnson, James L. Roark
Cover of the book A Primer for Poets and Readers of Poetry by Michael P. Johnson, James L. Roark
Cover of the book Titanic Thompson: The Man Who Bet on Everything by Michael P. Johnson, James L. Roark
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy