Drama category: 27605 books

A thrilling adaptation, by acclaimed poet and playwright Liz Lochhead, that stays refreshingly close to Bram Stoker's classic novel. Asked to adapt it by the Royal Lyceum Theatre, Edinburgh, she immersed herself in the book. 'After a sleepless night,' she writes in the Introduction, 'my hair...

Sings. We are all Kings in the kingdom of our King. Were it not so, how could we hope in our heart to meet him! We do what we like, yet we do what he likes; We are not bound with the chain of fear at the feet of a slave-owning King. Were it not so, how could we hope in our heart to meet him! Our King...

First published in 1902, this volume contains a detailed history of English literature beginning in the Anglo-Saxon Period and ending with contemporary literature. “A History of English Literature” is highly recommended for all students of literature, and it would make for a worthy addition to...

'Lucrezia Borgia' is a drama by Victor Hugo. The French writer finished it in 1833. The historical work portrays the Renaissance-era Italian aristocrat Lucrezia Borgia. The libretto of Donizetti's opera 'Lucrezia Borgia' was based on Hugo's play.

Since the premiere of his play FOB in 1979, the Chinese American playwright David Henry Hwang has made a significant impact in the U. S. and beyond. The Theatre of David Henry Hwang provides an in-depth study of his plays and other works in theatre. Beginning with his "Trilogy of Chinese...

This is an informative and interesting guide to the comedies of love - The Two Gentlemen of Verona, The Taming of the Shrew, Love's Labour's Lost, A Midsummer Nights Dream, Much Ado About Nothing, As You Like it and Twelfth Night - which were written in the early part of Shakespeare's career. As well...

Mimetic Disillusion reevaluates the history of modern U.S. drama, showing that at mid-century it turned in the direction of a poststructuralist "disillusionment with mimesis" or mimicry. This volume focuses on two major writers of the 1930s and 1940s--Eugene O'Neill and Tennessee...

No siempre las historias de amor terminan bien. Aunque no se lleve una estadística concreta, buena parte de ellas tienen un mal final, que en ocasiones hasta puede ser el escenario más desdichado de una tragedia, un drama que puede afectar letalmente a una de las partes de la pareja o a ambas. Esta...

Dramatic Realism, since its birth in the hectic late years of the nineteenth century, gave theatrical and thematic energy to the interaction between a play’s text and the way that it looked on the stage. Characters began to find themselves in rooms and settings that played an active and changing...

The timeless Theban tragedies of Sophocles—Oedipus the Tyrant, Oedipus at Colonus, and Antigone—have fascinated and moved audiences and readers across the ages with their haunting plots and their unforgettable heroes and heroines. Now, following the best texts faithfully, and translating the key...

For the first time, the world-renowned Arden Shakespeare is producing Performance Editions, aimed specifically for use in the rehearsal room. Published in association with the Shakespeare Institute, the text features easily accessible facing page notes – including short definitions of words, key...

'I wish I had copies like this at Drama School. Essential notes on the language for those who will get up and speak it, not purely for those who will sit and study it. An incredibly useful tool with room on every page to make notes. Next time I'm in rehearsal on a Shakespeare play, I have no doubt...

In the heat of renaissance Italy two houses are at war. One son and one daughter from the opposing families break this bitter conflict by falling in love. Yet, in this whirlwind of enmity, Romeo and Juliet's passion agitates rather than unites the clashing houses, causing a trail of destruction. Locked...

Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although...