Macmillan imprint: 15028 books

In most contemporary historical writing the picture of modern life in Habsburg Central Europe is a gloomy story of the failure of rationalism and the rise of protofascist movements. This book tells a different story, focusing on the Czech writers and artists distinguished by their optimistic view of the world in the years before WWI.

This book is the definitive critical history of science fiction. The 2006 first edition of this work traced the development of the genre from Ancient Greece and the European Reformation through to the end of the 20th century. This new 2nd edition has been revised thoroughly and very significantly...

One of the most popular contemporary authors, Kazuo Ishiguro has so far produced six highly regarded novels which have won him international acclaim and honours, including the Booker Prize, the Whitbread Award and an OBE for Services to Literature. This Reader's Guide: • evaluates...

Strange Divisions and Alien Territories explores the sub-genres of science fiction from the perspectives of a range of top SF authors. Combining a critical viewpoint with the exploration of the challenges and opportunities facing authors working in the field, contributors include Michael Swanwick, Catherine Asaro and Paul di Filippo.

This introduction to the work of Ian McEwan places his fiction in historical and theoretical context. It explores his biography, literary techniques and the issues of ethics and representation. Including a timeline of key dates and an interview with the author it also offers an overview of the critical reception McEwan's work has provoked.

This work is the first to study the gentlemen's clubs that were an important feature of the Late Victorian landscape, and the first to discover the secret history of clubmen and their world, placing them at centre stage, detailing how clubland dramatically shaped 19th and early 20th-century ideas about gender, power, class, and the city.

This is a feminist study of a recurring character type in classic British detective fiction by women - a woman who behaves like a Victorian gentleman. Exploring this character type leads to a new evaluation of the politics of classic detective fiction and the middlebrow novel as a whole.

An original mapping of women's writing in the 1940s and 1950s, this book looks at Englishness and national identity in women's writing and includes writing from Scotland, Wales, Ireland the Indian subcontinent and Africa. The authors discussed include Virginia Woolf, Daphne Du Maurier, Doris Lessing and Muriel Spark.

This collection discusses British and Irish life writings by women in the period 1700-1850. It argues for the importance of women's life writing as part of the culture and practice of eighteenth-century and Romantic auto/biography, exploring the complex relationships between constructions of femininity, life writing forms and models of authorship.

Who owns, who buys, who gives, and who notices objects is always significant in Austen's writing, placing characters socially and characterizing them symbolically. Jane Austen's Possessions and Dispossessions looks at the significance of objects in Austen's major novels, fragments, and juvenilia.

This book traces the development of literary biography in the eighteenth century; how writers' melancholy was probed to explore the inner life. Case studies of a number of significant authors reveal the 1790s as a time of biographical experimentation. Reaction against philosophical biography led to a nineteenth-century taste for romanticized lives.

Definitions of the Romantic period have undergone considerable change in the last few years. Beyond the careers of the 'Big Six' (Blake, Wordsworth, Byron, Coleridge, Shelley and Keats), critics have begun to recognise a much fuller range of writers flourishing in the second half of the eighteenth century...

Tennyson is the most important English poet of the Victorian age. He knew its key figures and was deeply involved in its science, religion, philosophy and politics. The Palgrave Literary Dictionary for the first time gives easily accessible information, under more than 400 headings, on his poetry, his circle, the period and its contexts.

Contributing to the growth in plagiarism studies, this timely new book highlights the impact of the allegation of plagiarism on the working lives of some of the major writers of the period, and considers plagiarism in relation to the emergence of literary copyright and the aesthetic of originality.