Palgrave imprint: 15119 books

Describing Jewish representation by Jews and Gentiles in the British Romantic era from the Old Bailey courtroom and popular songs to novels, poetry, and political pamphlets, Scrivener integrates popular culture with belletristic writing to explore the wildly varying treatments of stereotypical Jewish figures.

Using south-western England as a focus for considering the continued place of witchcraft and demonology in provincial culture in the period between the English and French revolutions, Barry shows how witch-beliefs were intricately woven into the fabric of daily life, even at a time when they arguably ceased to be of interest to the educated.

This collection of essays throws vast new light on the most significant literary-political journal of the Romantic age. Its chapters analyze Blackwood's wide-ranging contributions on some of the most topical issues in Romantic studies, including celebrity, British versus Scottish nationalism, and the rise of terror and detective fiction.

This book provides provocative information on poetry written in response to the most revolutionary set of events seen in Britain since the 1640s: 'Peterloo', a peaceful protest that became a massacre; 'Cato Street', a government scripted rebellion; and the 'Queen Caroline Controversy', when the estranged wife of George IV tried to claim her crown.

This book reconsiders the Celtic Revival by examining appropriations of Shakespeare, using close readings of works by Arnold, Dowden, Yeats and Joyce to reveal the pernicious manner in which the discourse of Anglo-Irish cultural politics informed the critical paradigms that mediated the reading of Shakespeare in Ireland for a generation.

This absorbing study of early 20th Century American Culture interprets the anarchic absurdity of slapstick movies as a form of collective anxiety dream, their fantastical images and illogical gags expressing the unconscious wishes and fears of the modern age, in a way that foreshadows the concerns of our own celebrity-obsessed consumer culture.

This book addresses the multiple meanings of nostalgia in the literature of the period. Whether depicted as an emotion, remembrance, or fixation, these essays demonstrate that the nostalgic impulse reveals how deeply rooted in the damaged, the old, and the vanishing, were the variety of efforts to imagine and produce the new—the distinctly modern.

Examining films about writers and acts of writing, The Writer on Film brilliantly refreshes some of the well-worn 'adaptation' debates by inviting film and literature to engage with each other trenchantly and anew – through acts of explicit configuration not adaptation.

Autobiography and Performance offers a comprehensive overview of the use of autobiography in performance. Examining the work of key practitioners, Heddon argues that autobiographical performancesact as sites of resistance and intervention and uncovers the political potentials and limits that accompany the use of the personal in performance

Melodrama in Contemporary Film and Television debates the ways in which melodrama expresses and gives meaning to: trauma and pathos; memory and historical re-visioning; home and borders; gendered and queer relations; the family and psychic identities; the national and emerging public cultures; and morality and ethics.

​This book analyzes how contemporary popular films with fantastic themes, including Candyman, Frozen, The Cabin in the Woods, and The Incredible Burt Wonderstone, cultivate neoliberal subjectivities. These films promise dramatic change, but they too often deliver more of the same. Although proponents...

This book contributes to the growing literature on the biopic genre by outlining and exploring the conventions of the postfeminist biopic. It does so by analyzing recent films about the lives of famous women including Sylvia Plath, Frida Kahlo, Virginia Woolf and Jane Austen.

Literature and Photography in Transition, 1850-1915 examines how British and American writers used early photography and film as illustrations and metaphors. It concentrates on five figures in particular: Henry Mayhew, Robert Louis Stevenson, Amy Levy, William Dean Howells, and Jack London.

Innovative and multidisciplinary, this collection of essays marks out the future of Atlantic Studies, making visible the emphases and purposes now emerging within this vital comparative field. The contributors model new ways to understand the unexpected roles that seduction stories and sentimental...