Palgrave Macmillan imprint: 14111 books

With special attention to Emily Dickinson's growth into a poet, this literary biographical study charts Dickinson's hard-won brilliance as she worked, largely alone, to become the unique American woman writer of the nineteenth century.

Konrad Morgen: The Conscience of a Nazi Judge is a moral biography of Georg Konrad Morgen, who prosecuted crimes committed by members of the SS in Nazi concentration camps and eventually came face-to-face with the system of industrialized murder at Auschwitz. His wartime papers and postwar testimonies yield a study in moral complexity.

The first book-length study to critically examine the recent wave of Hitler biopics in German cinema and television. A group of international experts discuss films like Downfall in the context of earlier portrayals of Hitler and draw out their implications for the changing place of the Third Reich in the national historical imagination.

Carl Gustav Jung has always been a popular but never a fashionable thinker. His ground-breaking theories about dream interpretation and psychological types have often been overshadowed by allegations that he was anti-Semitic and a Nazi sympathizer. Most accounts have unfortunately been marred by factual...

This established text explores the history, theory and practice of improvisation within the rapidly changing field of Drama, Theatre and Performance Studies. New material includes improvisation in film, stand-up comedy, LARPing, applied theatre and theatre sports. It contains a wealth of new exercises and examples from contemporary practitioners.

This volume focuses on the literary connotations of the 'Channel Packet' and sets forth lively dialogues between French and British culture at a key period of artistic innovation and exchange between 'high' and popular art forms.

This volume examines the anxieties that caused many nineteenth-century writers to insist on literature as a laboured and labouring enterprise. Following Isaac D’Israeli’s gloss on Jean de La Bruyère, it asks, in particular, whether writing should be ‘called working’. Whereas previous studies...

Decadent Poetics explores the complex and vexed topic of decadent literature's formal characteristics and interrogates previously held assumptions around the nature of decadent form. Writers studied include Oscar Wilde, Charles Baudelaire and Algernon Charles Swinburne, as well as A.E. Housman, Arthur Machen and Hubert Crackanthorpe.

In this engaging new study, Claire White reveals how representations of work and leisure became the vehicle for anxieties and fantasies about class and alienation, affecting, in turn, the ways in which writers and artists understood their own cultural work.

The Female Servant and Sensation Fiction: 'Kitchen Literature' explores why Victorian sensation fiction was derided as literature fit only for maids and cooks and how the depictions of fictional female domestics, from Jane Eyre to Neo-Victorian novels, reflect contemporary social concerns about the blurring of the boundaries of class and gender.

This Guide discusses the range of critical reactions to three of Jane Austen's most widely-studied and popular novels. Annika Bautz takes the reader chronologically through the profusion of criticism by selecting key approaches from the immense variety of responses these three Austen novels have provoked over the last two centuries.

This period witnessed the first full flowering of women's writing in Britain. This illuminating volume features leading scholars who draw upon the last 25 years of scholarship and textual recovery to demonstrate the literary and cultural significance of women in the period, discussing writers such as Austen, Wollstonecraft and Mary Shelley.

This text explores the reception of the royal family during the late eighteenth and early nineteenth centuries, and its representation in fiction, poetry, and the popular press. Samuelian finds that popular response to the royal family has reflected the public's belief in their right of access to the private life of royalty.

As the nineteenth-century drew to a close, women became more numerous and prominent in British journalism. This book offers a fascinating introduction to the work lives of twelve such journalists, and each essay examines the career, writing and strategic choices of women battling against the odds to secure recognition in a male-dominated society.