Picador imprint: 544 books

'One of those rare books that is immediately enjoyable yet will repay many re-readings' Poetry Review Carol Ann Duffy's highly praised second collection, for which she was given the Somerset Maughan Award, showcases the Poet Laureate's skill even at the very start of her career. Within are...

A History of Modern Britain by Andrew Marr confronts head-on the victory of shopping over politics. It tells the story of how the great political visions of New Jerusalem or a second Elizabethan Age, rival idealisms, came to be defeated by a culture of consumerism, celebrity and self-gratification....

Between the death of Queen Victoria and the turn of the Millennium, Britain has been utterly transformed by an extraordinary century of war and peace. A History of 20th Century Britain collects together for the first time Andrew Marr's two bestselling volumes A History of Modern Britain and...

Lorraine Mariner has long been one of the less well-guarded secrets in UK poetry, and her many admirers will be delighted by the appearance of her first full-length collection. Sometimes reading like an unholy alliance of Dorothy Parker, Stevie Smith and Frank O’Hara – but more often like nothing...

Poet Laureate Carol Ann Duffy and her friends across the country offer poems in praise of the magic of reading. In Off the Shelf: A Celebration of Bookshops in Verse, Poet Laureate Carol Ann Duffy has commissioned a selection of the UK's most loved and lauded poets to each write a poem in celebration...

Bantu Holomisa is one of South Africa’s most respected and popular political figures. Born in the Transkei in 1955, he attended an elite school for the sons of chiefs and headmen. While other men his age were joining Umkhonto weSizwe, Holomisa enrolled in the Transkeian Defence Force and rose rapidly...

In My Own Liberator, Dikgang Moseneke pays homage to the many people and places that have helped to define and shape him. In tracing his ancestry, the influence on both his maternal and paternal sides is evident in the values they imbued in their children – the importance of family, the value of hard...

Glamorized, mythologized and demonized – the women of the 1920s prefigured the 1960s in their determination to reinvent the way they lived. Flappers is in part a biography of that restless generation: starting with its first fashionable acts of rebellion just before the Great War, and continuing...

Better Than God sees Porter working with a lyric engine tuned to perfection, and a mind that shows every sign of speeding up: Porter can make a song of what another writer might take an essay to cover. Whether working in the forms of epigram or narrative, or writing of memory, mortality, Renaissance...

Satirist, philosopher, elegist, aphorist, cultural historian – Peter Porter is perhaps too singular a talent to be described as ‘representative’ of the age: an Australian whose easy familiarity with the breadth of European culture puts most Europeans to shame, he has long held the reputation...

John Stammers's collection is witty, touching and clever - with brilliant images where love scenes are laced with irony and the details of contemporary life. He writes about irrelevant vampires living out their days on the sea front at Eastbourne; about flowers with 'fine pointed petals like scalpels' and is absolutely brilliant on music. His writing is vivid and assured.

John Stammers has a poetic mind original enough to read the most mundane and familiar events as great portents and wonders, and an eye clear enough to uncover the surreal when it’s right under our noses. Stammers’ third collection is a vast map of an imaginative space that coincides with the known...

Walls Come Tumbling Down charts the pivotal period between 1976 and 1992 that saw politics and pop music come together for the first time in Britain's musical history; musicians and their fans suddenly became instigators of social change, and 'the political persuasion of musicians was as important...

‘Look – here’s a poet of ferocious invention, a breathtaking wit that ushers us to epiphanies of grief and laughter, an encyclopaedic knowledge of hip ephemera that’s never merely knowing, and a playful ear – which is, I note, an anagram of Paul Farley . . . What more do you want?’ Michael Donaghy