Bookthug: 99 books

Winner of the 2016 Prix des Libraires Winner of the 2016 Quebecor Prize for the Trois-Rivières Poetry Festival Carole David's The Year of My Disappearance is a searing, surreal, darkly comic descent into a woman's psyche. From Governor General's Award winning translator, Donald Winkler,...

Compulsively confessional and cracking-wise, The Nonnets is an utterly unique alchemy of poetry and comedy. Aaron Giovanonne's latest collection is a book-length sequence of 'nonnets'—nine-line poems that Giovannone handles with ruthless dexterity. Capturing transformations from first dates...

SHORTLISTED FOR THE 2013 OTTAWA BOOK AWARD SHORTLISTED FOR THE 2013 ARCHIBALD LAMPMAN AWARD SHORTLISTED FOR THE 2013 RELIT AWARD Conflict interweaves ghosts, bad communication, the uncanny and the archival, to create a collection of poems that break down remembrance into abandoned historic...

Winner of the 2018 Thomas Raddall Atlantic Fiction Award Maine, 1980. A utopian community is on the verge of collapse. The charismatic leader’s authority teeters as his followers come to realize they've been exploited for too long. To make matters worse, the eleven-year-old son of one adherent...

My slow adaptation is to her a sign of my being ‘outside life.’ An unemployed man, losing his ability to imagine a future self, disappears into the shadow world of an ambitious millennial. His wife, an idealistic artist at the turning point of her career, falls deeper and deeper into the...

Deep Salt Water is an intimate memoir about abortion, expressed through a layering of language and imagery of the ocean. The story gravitates around the reconnection and ongoing entanglements of a couple who'd had an abortion twenty years earlier. Interdisciplinary in nature and entre-genre in style,...

CanLit–the commonly used short form for English Canadian Literature as a cultural formation and industry—has been at the heart of several recent public controversies. Why? Because CanLit is breaking open to reveal the accepted injustices at its heart. It is imperative that these public controversies...

From celebrated Quebecois author Bertrand Laverdure comes Universal Bureau of Copyrights , a bold, strange and addictive story that envisions a world where free will doesn't exist, and an enigmatic global corporation buys and sells the copyrights for all things on Earth, including real and fictional...

Ledi, the second book by Vancouver poet Kim Trainor, describes the excavation of an Iron Age Pazyryk woman from her ice-bound grave in the steppes of Siberia. Along with the woman's carefully preserved body, with its blue tattoos of leopards and griffins, grave goods were also discovered—rosehips...

*Two's company, three's a crowd—and sometimes it’s more than that. In The Third Person, a collection of uncanny short stories by Emily Anglin, a sequence of tense professional and personal negotiations between two people is complicated when a third person arrives. Within these triangulated...

Careful attention reveals that, even in moments that seem insignificant, our minds are constantly navigating disjunctions among registers of experience. Our intellect silently reminds our eyes that the car that appears to be moving between leaves is actually behind them and much larger. The sound...

Hasan Namir's debut collection of poetry, War / Torn, is a brazen and lyrical interrogation of religion and masculinity—the performance and sense of belonging they delineate and draw together. Namir summons prayer, violence, and the sensuality of love, revisiting tenets of Islam and dictates of war to break the barriers between the profane and the sacred.

Adrienne Gruber's third full poetry collection, Q & A, is a poetic memoir detailing a first pregnancy, birth and early postpartum period. The poet is both traumatized and transformed by the birth of her daughter. She is compelled by the dark places birth takes her and as she examines and revisits...

If poetry is a place to question, I Am a Body of Land by Shannon Webb-Campbell is an attempt to explore a relationship to poetic responsibility and accountability, and frame poetry as a form of re-visioning. Here Webb-Campbell revisits the text of her earlier work Who Took My Sister? to examine...