| Author: | Brandilyn Collins | ISBN: | 9780310316701 |
| Publisher: | Zondervan | Publication: | May 26, 2009 |
| Imprint: | Zondervan | Language: | English |
| Author: | Brandilyn Collins |
| ISBN: | 9780310316701 |
| Publisher: | Zondervan |
| Publication: | May 26, 2009 |
| Imprint: | Zondervan |
| Language: | English |
The noises, faint, fleeting, whispered into her consciousness like wraiths passing in the night. Twelve-year-old Erin Willit opened her eyes to darkness lit only by the dim green nightlight near her closet door and the faint glow of a street lamp through her front window. She felt her forehead wrinkle, the fingers of one hand curl as she tried to discern what had awakened her. Something was not right . . . Annie Kingston moves to Grove Landing for safety and quiet—and comes face to face with evil. When neighbor Lisa Willet is killed by an intruder in her home, Sheriff’s detectives are left with little evidence. Lisa’s daughter, Erin, saw the killer, but she’s too traumatized to give a description. The detectives grow desperate. Because of her background in art, Annie is asked to question Erin and draw a composite. But Annie knows little about forensic art or the sensitive interview process. A nonbeliever, she finds herself begging God for help. What if her lack of experience leads Erin astray? The detectives could end up searching for a face that doesn’t exist. Leaving the real killer free to stalk the neighborhood . . .
The noises, faint, fleeting, whispered into her consciousness like wraiths passing in the night. Twelve-year-old Erin Willit opened her eyes to darkness lit only by the dim green nightlight near her closet door and the faint glow of a street lamp through her front window. She felt her forehead wrinkle, the fingers of one hand curl as she tried to discern what had awakened her. Something was not right . . . Annie Kingston moves to Grove Landing for safety and quiet—and comes face to face with evil. When neighbor Lisa Willet is killed by an intruder in her home, Sheriff’s detectives are left with little evidence. Lisa’s daughter, Erin, saw the killer, but she’s too traumatized to give a description. The detectives grow desperate. Because of her background in art, Annie is asked to question Erin and draw a composite. But Annie knows little about forensic art or the sensitive interview process. A nonbeliever, she finds herself begging God for help. What if her lack of experience leads Erin astray? The detectives could end up searching for a face that doesn’t exist. Leaving the real killer free to stalk the neighborhood . . .
