Building Access

Universal Design and the Politics of Disability

Nonfiction, Social & Cultural Studies, Social Science, Disability, Art & Architecture, Architecture, History
Cover of the book Building Access by Aimi Hamraie, University of Minnesota Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Aimi Hamraie ISBN: 9781452955568
Publisher: University of Minnesota Press Publication: November 1, 2017
Imprint: Univ Of Minnesota Press Language: English
Author: Aimi Hamraie
ISBN: 9781452955568
Publisher: University of Minnesota Press
Publication: November 1, 2017
Imprint: Univ Of Minnesota Press
Language: English

“All too often,” wrote disabled architect Ronald Mace, “designers don’t take the needs of disabled and elderly people into account.” Building Access investigates twentieth-century strategies for designing the world with disability in mind. Commonly understood in terms of curb cuts, automatic doors, Braille signs, and flexible kitchens, Universal Design purported to create a built environment for everyone, not only the average citizen. But who counts as “everyone,” Aimi Hamraie asks, and how can designers know? Blending technoscience studies and design history with critical disability, race, and feminist theories, Building Access interrogates the historical, cultural, and theoretical contexts for these questions, offering a groundbreaking critical history of Universal Design. 

Hamraie reveals that the twentieth-century shift from “design for the average” to “design for all” took place through liberal political, economic, and scientific structures concerned with defining the disabled user and designing in its name. Tracing the co-evolution of accessible design for disabled veterans, a radical disability maker movement, disability rights law, and strategies for diversifying the architecture profession, Hamraie shows that Universal Design was not just an approach to creating new products or spaces, but also a sustained, understated activist movement challenging dominant understandings of disability in architecture, medicine, and society.

Illustrated with a wealth of rare archival materials, Building Access brings together scientific, social, and political histories in what is not only the pioneering critical account of Universal Design but also a deep engagement with the politics of knowing, making, and belonging in twentieth-century United States.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

“All too often,” wrote disabled architect Ronald Mace, “designers don’t take the needs of disabled and elderly people into account.” Building Access investigates twentieth-century strategies for designing the world with disability in mind. Commonly understood in terms of curb cuts, automatic doors, Braille signs, and flexible kitchens, Universal Design purported to create a built environment for everyone, not only the average citizen. But who counts as “everyone,” Aimi Hamraie asks, and how can designers know? Blending technoscience studies and design history with critical disability, race, and feminist theories, Building Access interrogates the historical, cultural, and theoretical contexts for these questions, offering a groundbreaking critical history of Universal Design. 

Hamraie reveals that the twentieth-century shift from “design for the average” to “design for all” took place through liberal political, economic, and scientific structures concerned with defining the disabled user and designing in its name. Tracing the co-evolution of accessible design for disabled veterans, a radical disability maker movement, disability rights law, and strategies for diversifying the architecture profession, Hamraie shows that Universal Design was not just an approach to creating new products or spaces, but also a sustained, understated activist movement challenging dominant understandings of disability in architecture, medicine, and society.

Illustrated with a wealth of rare archival materials, Building Access brings together scientific, social, and political histories in what is not only the pioneering critical account of Universal Design but also a deep engagement with the politics of knowing, making, and belonging in twentieth-century United States.

More books from University of Minnesota Press

Cover of the book In Their Own Words by Aimi Hamraie
Cover of the book The Child to Come by Aimi Hamraie
Cover of the book Building Zion by Aimi Hamraie
Cover of the book ABC of Impossibility by Aimi Hamraie
Cover of the book Unconditional Equality by Aimi Hamraie
Cover of the book Life by Aimi Hamraie
Cover of the book Avant-Garde Museology by Aimi Hamraie
Cover of the book Eugenic Feminism by Aimi Hamraie
Cover of the book Struggle and Utopia at the End Times of Philosophy by Aimi Hamraie
Cover of the book Flying Funny by Aimi Hamraie
Cover of the book A Short History of Indians in Canada by Aimi Hamraie
Cover of the book The Anime Machine by Aimi Hamraie
Cover of the book The Ethics of Earth Art by Aimi Hamraie
Cover of the book Lifeblood by Aimi Hamraie
Cover of the book Martin Heidegger Saved My Life by Aimi Hamraie
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy