Bullfighting

Art, Technique and Spanish Society

Nonfiction, Social & Cultural Studies, Social Science, Sociology, History
Cover of the book Bullfighting by John McCormick, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John McCormick ISBN: 9781351530439
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: John McCormick
ISBN: 9781351530439
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

Ernest Hemingway, best-known to layman and aficionado alike, in his fiction described bullfighting, or toreo, as a cross between romantic risk and a drunken party, or as an elaborate substitute for war, ending in wounds or death. Although his descriptions of the "beauty"in toreo are lyrical, they are short on imaginative creation of how such beauty, through techniques and discipline, comes about. Hemingway may have sculpted a personal mystique of toreo but, in the opinion of some, he ignored or slighted the full, unique nature of the subject.In Bullfighting: Art, Technique, and Spanish Society John McCormick sorts through the complexities of toreo, to suggest the aesthetic, social, and moral dimensions of an art that is geographically limited, but universal when seen in round. While having felt the attraction of Hemingway's approach, McCormick knew that he was being seduced by elements that had little to do with toreo. To try to right Hemingway's distortions, he named the first edition of this book The Complete Aficionado, but then realized that the volume was directed at more than just the spectator: BullFighting is written from the point of view of the torerro, as opposed to the usual spectator's impressions and enthusiasm. With the help of a retired matador de toros, Mario Sevilla Mascarenas, who taught McCormick the rudiments of toreo as well as the emotions and discipline essential to survival, the authors rescue 'toreo from romantic cliches. They probe the anatomy of the matador's training and technique, provide a past-and-present survey of the traditions of the corrida, and furnish dramatic portraits of such famous figures as Manolete, Joselito, Belmonte, and Ordonez.Here then is an informed analysis and critique of the origins and myths of toreo and a survey of the novels it has inspired. Defending the faith in a live

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Ernest Hemingway, best-known to layman and aficionado alike, in his fiction described bullfighting, or toreo, as a cross between romantic risk and a drunken party, or as an elaborate substitute for war, ending in wounds or death. Although his descriptions of the "beauty"in toreo are lyrical, they are short on imaginative creation of how such beauty, through techniques and discipline, comes about. Hemingway may have sculpted a personal mystique of toreo but, in the opinion of some, he ignored or slighted the full, unique nature of the subject.In Bullfighting: Art, Technique, and Spanish Society John McCormick sorts through the complexities of toreo, to suggest the aesthetic, social, and moral dimensions of an art that is geographically limited, but universal when seen in round. While having felt the attraction of Hemingway's approach, McCormick knew that he was being seduced by elements that had little to do with toreo. To try to right Hemingway's distortions, he named the first edition of this book The Complete Aficionado, but then realized that the volume was directed at more than just the spectator: BullFighting is written from the point of view of the torerro, as opposed to the usual spectator's impressions and enthusiasm. With the help of a retired matador de toros, Mario Sevilla Mascarenas, who taught McCormick the rudiments of toreo as well as the emotions and discipline essential to survival, the authors rescue 'toreo from romantic cliches. They probe the anatomy of the matador's training and technique, provide a past-and-present survey of the traditions of the corrida, and furnish dramatic portraits of such famous figures as Manolete, Joselito, Belmonte, and Ordonez.Here then is an informed analysis and critique of the origins and myths of toreo and a survey of the novels it has inspired. Defending the faith in a live

More books from Taylor and Francis

Cover of the book Merleau-Ponty for Architects by John McCormick
Cover of the book Teaching Photography by John McCormick
Cover of the book The Geometry of Care by John McCormick
Cover of the book Effective Writing by John McCormick
Cover of the book Research Methods in Outdoor Studies by John McCormick
Cover of the book China's Social Policy by John McCormick
Cover of the book Personal Autonomy and Social Oppression by John McCormick
Cover of the book Cognitive Development and Working Memory by John McCormick
Cover of the book Coaching by John McCormick
Cover of the book Education for Young Adults by John McCormick
Cover of the book Kierkegaard, Language and the Reality of God by John McCormick
Cover of the book How to Succeed in Cyberspace by John McCormick
Cover of the book An Examination of Logical Positivism by John McCormick
Cover of the book Transnational and Comparative Research in Sport by John McCormick
Cover of the book Wages, Race, Skills and Space: Lessons from Employers in Detroit's Auto Industry by John McCormick
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy