Canonising Shakespeare

Stationers and the Book Trade, 1640–1740

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Canonising Shakespeare by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781108576390
Publisher: Cambridge University Press Publication: September 28, 2017
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781108576390
Publisher: Cambridge University Press
Publication: September 28, 2017
Imprint: Cambridge University Press
Language: English

Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times.

More books from Cambridge University Press

Cover of the book Agriculture and the New Trade Agenda by
Cover of the book The Cambridge Companion to Biblical Interpretation by
Cover of the book Elementary Probability by
Cover of the book Plants of China by
Cover of the book The Sword's Other Edge by
Cover of the book Imagining Equality in Nineteenth-Century American Literature by
Cover of the book Music in the Georgian Novel by
Cover of the book Herodotus: Histories Book VI by
Cover of the book States, Citizens and the Privatisation of Security by
Cover of the book The Cratylus of Plato by
Cover of the book Planetary Rings by
Cover of the book Principled Negotiation and Mediation in the International Arena by
Cover of the book Responsibility for Human Rights by
Cover of the book Ethics and Religion by
Cover of the book Foreign Affairs Strategy by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy