Cargo Cult as Theater

Political Performance in the Pacific

Nonfiction, Social & Cultural Studies, Social Science, Anthropology
Cover of the book Cargo Cult as Theater by Dorothy K. Billings, Lexington Books
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Dorothy K. Billings ISBN: 9780739152812
Publisher: Lexington Books Publication: May 28, 2002
Imprint: Lexington Books Language: English
Author: Dorothy K. Billings
ISBN: 9780739152812
Publisher: Lexington Books
Publication: May 28, 2002
Imprint: Lexington Books
Language: English

Why did half the people on New Hanover, a small island north of New Guinea, vote for Lyndon Baines Johnson to be their ruler in 1964? Dorothy K. Billings believes that this sort of action_seen in New Guinea and other parts of Melanesia_is part of the 'cargo cult' phenomenon, or micronationalist movements which are principally regarded as responses to European colonialism. Based on thirty-five years of fieldwork and observation, Cargo Cult as Theater demonstrates how the 'Johnson Cult,' originally mocked and ridiculed by the outside world, should be seen as an ongoing political performance meant to consolidate local power and advance economic development. This fascinating study follows the changes in this community ritual, from the time of the white 'master' to post-colonial self-determination, and reveals the history of this people's attempt to gain intellectual, moral, economic, and political control over their own lives.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Why did half the people on New Hanover, a small island north of New Guinea, vote for Lyndon Baines Johnson to be their ruler in 1964? Dorothy K. Billings believes that this sort of action_seen in New Guinea and other parts of Melanesia_is part of the 'cargo cult' phenomenon, or micronationalist movements which are principally regarded as responses to European colonialism. Based on thirty-five years of fieldwork and observation, Cargo Cult as Theater demonstrates how the 'Johnson Cult,' originally mocked and ridiculed by the outside world, should be seen as an ongoing political performance meant to consolidate local power and advance economic development. This fascinating study follows the changes in this community ritual, from the time of the white 'master' to post-colonial self-determination, and reveals the history of this people's attempt to gain intellectual, moral, economic, and political control over their own lives.

More books from Lexington Books

Cover of the book Media, Millennials, and Politics by Dorothy K. Billings
Cover of the book Polish Hero Roman Rodziewicz by Dorothy K. Billings
Cover of the book China's Soft Power Diplomacy in South Asia by Dorothy K. Billings
Cover of the book Macao and U.S.-China Relations by Dorothy K. Billings
Cover of the book The Great Catalyst by Dorothy K. Billings
Cover of the book Girls' Series Fiction and American Popular Culture by Dorothy K. Billings
Cover of the book Landscape in American Guides and View Books by Dorothy K. Billings
Cover of the book Evolution of Power by Dorothy K. Billings
Cover of the book Early Modern Skepticism and the Origins of Toleration by Dorothy K. Billings
Cover of the book Theology and the Soul of the Liberal State by Dorothy K. Billings
Cover of the book Environmental Sustainability and American Public Administration by Dorothy K. Billings
Cover of the book French Civilization and Its Discontents by Dorothy K. Billings
Cover of the book Engaging Agnes Heller by Dorothy K. Billings
Cover of the book Dancing Bodies of Devotion by Dorothy K. Billings
Cover of the book Rethinking the Enlightenment by Dorothy K. Billings
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy