| Author: | Sheridan Le Fanu | ISBN: | 1230000226997 |
| Publisher: | Z Edições | Publication: | March 21, 2014 |
| Imprint: | Language: | English |
| Author: | Sheridan Le Fanu |
| ISBN: | 1230000226997 |
| Publisher: | Z Edições |
| Publication: | March 21, 2014 |
| Imprint: | |
| Language: | English |
Carmilla is a Gothic novella by Joseph Sheridan Le Fanu. First published in 1872, it tells the story of a young woman’s susceptibility to the attentions of a female vampire named Carmilla. Also this story predates Bram Stoker’s Dracula by 25 years, and has been adapted many times for cinema.
It was first published in the magazine The Dark Blue in late 1871 and early 1872 and then in the author’s collection of short stories In a Glass Darkly in the latter year.
There were two illustrators for the story, the work of which appeared in the magazine but does not appear in modern printings of the book. The two illustrators, David Henry Friston and Michael Fitzgerald, show some inconsistencies in their depiction of the characters, and as a result some confusion has arisen in relating the pictures to the story’s continuous plot.
The story is presented by Le Fanu as part of the casebook of Dr. Hesselius, whose departures from medical orthodoxy rank him as the first occult doctor in literature. The story is narrated by Laura, one of the two main protagonists of the tale. Laura begins her tale by relating her childhood in a “picturesque and solitary” castle in the midst of an extensive forest in Styria, where she lives with her father, a wealthy English widower, retired from the Austrian Service. When she was six years old, Laura had a vision of a beautiful visitor in her bedchamber. She later claims to have been bitten on the chest, although no wounds are found on her.
12 years later, Laura and her father are admiring the sunset in front of the castle when her father tells her of a letter he received earlier from his friend, General Spielsdorf. The General was supposed to bring his niece, Bertha Rheinfeldt, to visit the two, but the niece suddenly died under mysterious circumstances. The General ambiguously concludes that he will discuss the circumstances in detail when they meet later.
Laura is saddened by the loss of a potential friend, and longs for a companion. A carriage accident outside Laura’s home unexpectedly brings a girl of Laura’s age into the family’s care. Her name is Carmilla. Both girls instantly recognise the other from the “dream” they both had when they were young.
Carmilla and Laura grow to be very close friends, but occasionally Carmilla’s mood abruptly changes. She sometimes makes unsettling romantic advances towards Laura. Carmilla refuses to tell anything about herself or her background, despite questioning from Laura. Her secrecy isn't the only mysterious thing about her. Carmilla sleeps much of the day, and seems to sleepwalk at night. When a funeral procession passes by the two girls and Laura begins singing a hymn, Carmilla bursts out in rage and scolds Laura for singing a Christian song. When a shipment of family heirloom restored portraits arrives at the castle, Laura finds one of her ancestors, “Mircalla, Countess Karnstein”, dated 1698. The portrait resembles Carmilla exactly, down to the mole on her neck. During Carmilla’s stay, Laura has nightmares of a fiendish cat-like beast entering her room at night and biting her on the chest. The beast then takes the form of a female figure and disappears through the door without opening it. Laura’s health declines and her father has a doctor examine her. He speaks privately with her father and only asks that Laura never be left unattended.
Carmilla is a Gothic novella by Joseph Sheridan Le Fanu. First published in 1872, it tells the story of a young woman’s susceptibility to the attentions of a female vampire named Carmilla. Also this story predates Bram Stoker’s Dracula by 25 years, and has been adapted many times for cinema.
It was first published in the magazine The Dark Blue in late 1871 and early 1872 and then in the author’s collection of short stories In a Glass Darkly in the latter year.
There were two illustrators for the story, the work of which appeared in the magazine but does not appear in modern printings of the book. The two illustrators, David Henry Friston and Michael Fitzgerald, show some inconsistencies in their depiction of the characters, and as a result some confusion has arisen in relating the pictures to the story’s continuous plot.
The story is presented by Le Fanu as part of the casebook of Dr. Hesselius, whose departures from medical orthodoxy rank him as the first occult doctor in literature. The story is narrated by Laura, one of the two main protagonists of the tale. Laura begins her tale by relating her childhood in a “picturesque and solitary” castle in the midst of an extensive forest in Styria, where she lives with her father, a wealthy English widower, retired from the Austrian Service. When she was six years old, Laura had a vision of a beautiful visitor in her bedchamber. She later claims to have been bitten on the chest, although no wounds are found on her.
12 years later, Laura and her father are admiring the sunset in front of the castle when her father tells her of a letter he received earlier from his friend, General Spielsdorf. The General was supposed to bring his niece, Bertha Rheinfeldt, to visit the two, but the niece suddenly died under mysterious circumstances. The General ambiguously concludes that he will discuss the circumstances in detail when they meet later.
Laura is saddened by the loss of a potential friend, and longs for a companion. A carriage accident outside Laura’s home unexpectedly brings a girl of Laura’s age into the family’s care. Her name is Carmilla. Both girls instantly recognise the other from the “dream” they both had when they were young.
Carmilla and Laura grow to be very close friends, but occasionally Carmilla’s mood abruptly changes. She sometimes makes unsettling romantic advances towards Laura. Carmilla refuses to tell anything about herself or her background, despite questioning from Laura. Her secrecy isn't the only mysterious thing about her. Carmilla sleeps much of the day, and seems to sleepwalk at night. When a funeral procession passes by the two girls and Laura begins singing a hymn, Carmilla bursts out in rage and scolds Laura for singing a Christian song. When a shipment of family heirloom restored portraits arrives at the castle, Laura finds one of her ancestors, “Mircalla, Countess Karnstein”, dated 1698. The portrait resembles Carmilla exactly, down to the mole on her neck. During Carmilla’s stay, Laura has nightmares of a fiendish cat-like beast entering her room at night and biting her on the chest. The beast then takes the form of a female figure and disappears through the door without opening it. Laura’s health declines and her father has a doctor examine her. He speaks privately with her father and only asks that Laura never be left unattended.
