Carnival and National Identity in the Poetry of Afrocubanismo

Fiction & Literature, Literary Theory & Criticism, Central & South American, Poetry History & Criticism, Nonfiction, Art & Architecture, General Art
Cover of the book Carnival and National Identity in the Poetry of Afrocubanismo by Thomas F. Anderson, University Press of Florida
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Thomas F. Anderson ISBN: 9780813063171
Publisher: University Press of Florida Publication: April 3, 2017
Imprint: University Press of Florida Language: English
Author: Thomas F. Anderson
ISBN: 9780813063171
Publisher: University Press of Florida
Publication: April 3, 2017
Imprint: University Press of Florida
Language: English

“Traces the ways that Cuban poets dealt with issues of national identity, reflected in their views of Afrocubanismo, often in response to historical changes in public and official opinions on the most visual manifestation of Afro-Cuban culture: carnival.”—Choice “Uncovers a wealth of literary texts, primarily poems, that chart the impact of las comparsas, Afro-Cuban festival dances, on mainstream Cuban life. . . . Investigates the ways in which the relationship between racial and ethnic divisions, and between castes and classes, created a literary movement full to the brim with emotional and sensational resonances.”—Wasafiri “Underscores the sociopolitical and historical contexts of these poems which have shaped the literary production and message of the Afrocubanismo movement. . . . A tour de force.”—Callaloo “Successfully plumbs the position of the Afro-Cuban performer and brings into sharp relief the way politicians historically sought to affect all elements of Cuban culture.”—New West Indian Guide Carnival and National Identity in the Poetry of Afrocubanismo offers thought-provoking new readings of poems by seminal Cuban poets, demonstrating how their writings affected the development of a recognizable Afro-Cuban identity. Thomas Anderson examines the long-running debate between the proponents of Afro-Cuban cultural manifestations and the predominantly white Cuban intelligentsia, who viewed these traditions as “backward” and counter to the interests of the young Republic. Including analyses of the work of Felipe Pichardo Moya, Alejo Carpentier, Nicolás Guillén, Emilio Ballagas, José Zacarías Tallet, Felix B. Caignet, Marcelino Arozarena, and Alfonso Camín, this rigorous, interdisciplinary volume offers a fresh look at the canon of Afrocubanismo and offers surprising insights into Cuban culture during the early years of the Republic.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

“Traces the ways that Cuban poets dealt with issues of national identity, reflected in their views of Afrocubanismo, often in response to historical changes in public and official opinions on the most visual manifestation of Afro-Cuban culture: carnival.”—Choice “Uncovers a wealth of literary texts, primarily poems, that chart the impact of las comparsas, Afro-Cuban festival dances, on mainstream Cuban life. . . . Investigates the ways in which the relationship between racial and ethnic divisions, and between castes and classes, created a literary movement full to the brim with emotional and sensational resonances.”—Wasafiri “Underscores the sociopolitical and historical contexts of these poems which have shaped the literary production and message of the Afrocubanismo movement. . . . A tour de force.”—Callaloo “Successfully plumbs the position of the Afro-Cuban performer and brings into sharp relief the way politicians historically sought to affect all elements of Cuban culture.”—New West Indian Guide Carnival and National Identity in the Poetry of Afrocubanismo offers thought-provoking new readings of poems by seminal Cuban poets, demonstrating how their writings affected the development of a recognizable Afro-Cuban identity. Thomas Anderson examines the long-running debate between the proponents of Afro-Cuban cultural manifestations and the predominantly white Cuban intelligentsia, who viewed these traditions as “backward” and counter to the interests of the young Republic. Including analyses of the work of Felipe Pichardo Moya, Alejo Carpentier, Nicolás Guillén, Emilio Ballagas, José Zacarías Tallet, Felix B. Caignet, Marcelino Arozarena, and Alfonso Camín, this rigorous, interdisciplinary volume offers a fresh look at the canon of Afrocubanismo and offers surprising insights into Cuban culture during the early years of the Republic.

More books from University Press of Florida

Cover of the book Eighteenth-Century Florida and the Revolutionary South by Thomas F. Anderson
Cover of the book Forever Young: A Life of Adventure in Air and Space by Thomas F. Anderson
Cover of the book Entanglements by Thomas F. Anderson
Cover of the book Mow the Green Grass by Thomas F. Anderson
Cover of the book The Politics of Language in Puerto Rico by Thomas F. Anderson
Cover of the book James Joyce's Painful Case by Thomas F. Anderson
Cover of the book William Bartram and the Ghost Plantations of British East Florida by Thomas F. Anderson
Cover of the book Zephaniah Kingsley Jr. and the Atlantic World by Thomas F. Anderson
Cover of the book on a Sunday Afternoon by Thomas F. Anderson
Cover of the book The Gesture by Thomas F. Anderson
Cover of the book Fertile Bonds by Thomas F. Anderson
Cover of the book Conservative Hurricane by Thomas F. Anderson
Cover of the book Fifty Years of Justice by Thomas F. Anderson
Cover of the book Son of Real Florida by Thomas F. Anderson
Cover of the book Gladesmen by Thomas F. Anderson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy