Charles Peale: Selected Paintings
Nonfiction, Art & Architecture, General Art, Art History, American
| Author: | Swen Meier | ISBN: | 9788826094304 |
| Publisher: | Publisher s13381 | Publication: | October 9, 2017 |
| Imprint: | Language: | English |
| Author: | Swen Meier |
| ISBN: | 9788826094304 |
| Publisher: | Publisher s13381 |
| Publication: | October 9, 2017 |
| Imprint: | |
| Language: | English |
Charles Willson Peale (1741 – 1827) was an American painter, soldier, scientist, inventor, politician and naturalist. He is best remembered for his portrait paintings of leading figures of the American Revolution, and for establishing one of the first museums in the United States.
Finding that he had a talent for painting, especially portraiture, Peale studied for a time under John Hesselius and John Singleton Copley. John Beale Bordley and friends eventually raised enough money for him to travel to England to take instruction from Benjamin West. Peale studied with West for three years beginning in 1767, afterward returning to America and settling in Annapolis, Maryland. There, he taught painting to his younger brother, James Peale, who in time also became a noted artist.
Peale was quite prolific as an artist. While he did portraits of scores of historic figures (such as James Varnum, Benjamin Franklin, John Hancock, Thomas Jefferson, and Alexander Hamilton), he is probably best known for his portraits of George Washington. The first time Washington sat for a portrait was with Peale in 1772, and they had six other sittings; using these seven as models, Peale produced altogether close to 60 portraits of Washington.
A Renaissance man, Peale had expertise not only in painting but also in many diverse fields, including carpentry, dentistry, optometry, shoemaking, and taxidermy. Around 1804, Peale obtained the American patent rights to the polygraph from its inventor John Isaac Hawkins, about the same time as the purchase of one by Thomas Jefferson. Peale and Jefferson collaborated on refinements to this device, which enabled a copy of a handwritten letter to be produced simultaneously with the original.
Peale wrote several books, among which were An Essay on Building Wooden Bridges (1797) and An Epistle to a Friend on the Means of Preserving Health (1803). Peale named all of his sons for artists or scientists, and taught them to paint. Three of them, Rembrandt, Raphaelle, and Titian, became noted artists in their own right.
Charles Willson Peale (1741 – 1827) was an American painter, soldier, scientist, inventor, politician and naturalist. He is best remembered for his portrait paintings of leading figures of the American Revolution, and for establishing one of the first museums in the United States.
Finding that he had a talent for painting, especially portraiture, Peale studied for a time under John Hesselius and John Singleton Copley. John Beale Bordley and friends eventually raised enough money for him to travel to England to take instruction from Benjamin West. Peale studied with West for three years beginning in 1767, afterward returning to America and settling in Annapolis, Maryland. There, he taught painting to his younger brother, James Peale, who in time also became a noted artist.
Peale was quite prolific as an artist. While he did portraits of scores of historic figures (such as James Varnum, Benjamin Franklin, John Hancock, Thomas Jefferson, and Alexander Hamilton), he is probably best known for his portraits of George Washington. The first time Washington sat for a portrait was with Peale in 1772, and they had six other sittings; using these seven as models, Peale produced altogether close to 60 portraits of Washington.
A Renaissance man, Peale had expertise not only in painting but also in many diverse fields, including carpentry, dentistry, optometry, shoemaking, and taxidermy. Around 1804, Peale obtained the American patent rights to the polygraph from its inventor John Isaac Hawkins, about the same time as the purchase of one by Thomas Jefferson. Peale and Jefferson collaborated on refinements to this device, which enabled a copy of a handwritten letter to be produced simultaneously with the original.
Peale wrote several books, among which were An Essay on Building Wooden Bridges (1797) and An Epistle to a Friend on the Means of Preserving Health (1803). Peale named all of his sons for artists or scientists, and taught them to paint. Three of them, Rembrandt, Raphaelle, and Titian, became noted artists in their own right.
